Thursday, May 19, 2016

The Edge has a message for all of us

"Disease prevention has become a crucial new strategy to explore. It is also becoming achievable for the first time in history."

To learn more about cancer prevention, refer to
To support the campaign, please consider a donation at

Monday, May 9, 2016

Happy Birthday, Bono!

"I can't change the world but I can change the world in me..." Rejoice, Bono

Happy Birthday!!!

Help build a well in Africa for Bono's birthday...Donate!!

African Well Fund

The Edge | Off Camera with Sam Jones

If there’s beauty in simplicity, there’s a whole lot of power in it, too. Applied to rock, there’s no better proof in the past three decades than U2 and its chief sound architect, The Edge.
Though “powerful” is easily the go-to adjective for the band’s work from its astounding debut Boy to seminal releases like The Joshua Tree and Achtung Baby, they’ve shown time and again that powerful doesn’t—even in rock—always mean loud, fast, or complex. If a chord change functions as a release, Edge knows there’s a sweetness in its anticipation, an almost physical yearning for its resolution. Listening to songs like “Where The Streets Have No Name,” it’s possible to feel oneself coasting on a simple, repetitive progression. In Bono, U2 has a frontman that virtually defines the word, but it’s Edge’s use of rhythmic delay and effect that created the singular clarion sound that has become a U2 trademark.
It’s a sound he’s honed since answering a 1976 school bulletin board ad placed by one Larry Mullen, who was looking to start a band. Edge’s earliest influences were punk and the fact that he taught himself to play by figuring out ways around what he didn’t know. As he did so, the gear piled up—to the extent that any online search of his name brings up link after link to mathematical analyses of his guitar sound and stage diagrams of his equipment setup.
It’s also a sound that’s landed him in iconic company amidst the upper numbers of both Rolling Stone’s and SPIN’s lists of the greatest guitarists of all time. In its listing, SPIN said “It’s difficult to imagine the monolith that is U2 ever having had anything to do with punk, but in the late’70s U.K., [The Edge] masked and flaunted his willful ignorance of how guitars are meant to be played with forgiving delay pedals, forging a sonic trademark so distinctive that his band’s name became an adjective. Every note of 1980’s Boy feels like an argument about how guitars in rock music are supposed to sound.” It also went on to say “…even U2’s most dug-in detractors would allow that parlaying limitation and brazen naiveté into 30-plus years of mega-stardom is a fairly unprecedented form of sticking it to the Man.”
So hailing from that sensibility, what happens when you kind of become the man? Some thought that happened some time ago, others in 2014 when the band struck a deal with iTunes to have its album Songs of Innocence automatically download to users’ playlists. In apologizing to the ranks of the disgruntled, Bono said, “Artists are prone to that kind of thing. A drop of megalomania, a touch of generosity, a dash of self-promotion and deep fear that these songs that we poured our life into over the last few years mightn’t be heard.” It’s an apology that can also be read as a formula for longevity and success; i.e., continued risk. It’s admirable in any artistic endeavor at any time, but especially in “the biggest band in the world,”—one that could’ve easily rested on $170 million in record sales, $1billion+ in concert sales and more Grammy Awards than any other band.
These days it seems we’ve developed particular reverence for “undiscovered” bands that cater to niche-loving, genre-specific hipsters; and many such acts are deserving. But the detractors who call U2 “too commercial” might pause to remember that you don’t often get there without first having made something that touches, joins, and elevates us with a common emotional language. Does anyone else find it odd when we criticize artists for doing what artists are arguably supposed to be doing?
One person likely not much interested in that debate is Dave Evans. He remains the unflappable, optimistic gearhead-slash-poet, doing what he’s done since getting his first flea market guitar at age nine. And as the band prepares to release a new album this year, we’ll be listening, because U2 continues to experiment, surprise and connect, with Edge at its beating, reverberating sonic heart.
Updated: you can watch part of the interview now

Friday, May 6, 2016

Adam Clayton at The American Ireland Fund New York Dinner Gala

Young musicians from Music Generation, Ireland's national music program, speak with Adam Clayton, of U2, during The American Ireland Fund New York Dinner Gala on Thursday, May 5, 2016 in New York City. Clayton joined The Ireland Funds to celebrate the Music Generation program, which was first launched in the US at The American Ireland Fund New York Dinner Gala in 2010. Music Generation is established in 12 areas of Ireland, providing access to music education for some 35,000 children and young people annually and creating 350 employment opportunities.

Photograph by Michael Nagle

Wednesday, May 4, 2016


Editor's note: After the May 2016 issue of The Rotarian went to press, we were saddened to learn of the death of Garvin Evans, who along with his son, U2 guitarist The Edge, appeared on the cover of that issue. Evans was a longtime member of the Rotary Club of Dublin North. We are grateful that we were able to share his remarkable story with our readers.

The boys of U2 are home. It’s Friday, 27 November, two weeks after the terrorist attacks in Paris. Bono, The Edge, Adam Clayton, and Larry Mullen Jr. had been in Paris that terrible evening, rehearsing at the venue where they were scheduled to perform the following night. Instead, they had to be evacuated. This band has always been known for its political and social activism, and its songs’ messages against war and terrorism. Tonight, those themes feel particularly relevant.

At 3Arena, once a railway station in the Dublin Docklands, thousands of fans are happily mashed together on the standing-room-only floor. They’re drinking beer and buzzing restlessly as they wait for their hometown heroes, who are wrapping up their six-month iNNOCENCE + eXPERIENCE Tour, to take the stage. When the plaintive opening “ohhh-OH-oh ” notes of “The Miracle of Joey Ramone ” sound, followed by The Edge’s scorching, staccato guitar riff – ba-DA-dah, ba-DA-dah – the crowd goes insane.

The Edge’s father, Garvin Evans, 84, was in the arena to hear his son play in the first of four Dublin shows earlier this week, and he will be here again for what was meant to be the final show of the U2 tour. (The band will return to Paris for two rescheduled shows.) The following day, Evans, a tenor, will be singing in a local production of Messiah.

Evans is a big fan not only of U2 but also of Handel, Welsh hymns, golf (he’s an honorary life member of the Royal Dublin Golf Club), really good claret, and Tuesdays, “when three or four of us go to a pub and have a Guinness. ” He adores his three kids, six grandchildren, and two great-grandchildren. He is secretary of his Presbyterian church and sings in the choir. He is also a longtime member of Rotary and the reason The Rotarian is visiting Dublin: to speak with him and his son about what they have in common and how they’ve inspired each other to try to make the world a better place.

Frequent Rotarian contributor Julie Bain meets them in the five-star Merrion Hotel in Dublin’s city center. Both men arrive early and looking spiffy, Evans in a black and red plaid tie and The Edge, born David Evans, in his signature knitted cap 
and buttery-soft black leather jacket. Evans, born in South Wales, displays a bit of the characteristic Welsh reserve, and so does his son, who was born in London in 1961 before his parents moved to Dublin in 1962. (His mother, Gwenda, died in 2012.) 
The two don’t hug, but they are clearly affectionate and loving. Here, they discuss the topics that are most meaningful to them.

EVANS: I’ll never forget my first day in Dublin. I arrived on a Saturday morning. Before lunch I had bought a house [in the northern suburb of Malahide], subject to my wife’s approval, which she gave. And then I did the important thing and went and watched the East of Ireland golf championships up in Baltray. I tell you, it didn’t take us long 
to integrate.

THE EDGE: Without doubt, Dublin is home to me. It’s pretty amazing I can still come home to the house I grew up in. That’s a great reflection on the Irish people, because they don’t really buy in to the celebrity system so much. Are you a person of integrity, and do you have a sense of humor? Are you good fun? Those are things that matter to the Irish, not how big your house or your car is. The Irish would never allow us to get too big for our boots.

EVANS: Dave was born with a smile on his face and was intensely curious about everything. He hasn’t changed a bit.

THE EDGE: We all drift off from time to time, but the healthy thing is to be purely yourself, meaning the same person you were as a kid. It’s consistency. I put a lot of effort into not allowing the success of the band to become in any way detrimental to my values or ideas. We try to avoid the excesses. And if you’ve been blessed, you do what you can to give back.

EVANS: Back in the 1950s my late wife’s uncle was a Rotarian, and he arranged for Gwenda to go on an exchange program to Sweden. I found out a little bit about Rotary in those days and became intrigued. So when I was approached in 1968, when The Edge was just seven, to join this fledgling club to be known as Dublin North Rotary Club, I jumped at it.

I am, alas, the only founding member of the club still alive. I have been club president twice, been awarded two Paul Harris fellowships, served as district Rotaract extension officer, and two years ago as district secretary for Rotary Ireland, when Verity Swan became the first woman district governor for Rotary Ireland. [Evans’ two other children, Richard and Gillian, participated in short-term Rotary Youth Exchanges.]

THE EDGE: I was aware of Rotary, but I was quite ignorant about what was going on. I knew my dad wore this funny pin on his lapel from time to time. You pick up tidbits as you grow up, and I understood as time went on that it was mostly about charitable activities and outreach in the community and kind of general social enterprise-type activities.

My own world of involvement with philanthropy and activism started through the band. Having achieved a certain level of success, we had this platform and opportunity to do things. It was a very pleasant shock to see how my world and my dad’s world had come full circle when I discovered that the Bill & Melinda Gates Foundation, which our band has been associated with for a while, had partnered with Rotary to take on polio. I suddenly got a full sense of what Rotary was about. I went to a dinner with my dad [honoring his 40th year in Rotary] and saw the level of commitment and the immense value of Rotary that evening. That’s when I finally got it.

EVANS: As a child I was very aware of the dangers of polio. Every summer in Wales, it was dreaded. It wasn’t until Dr. Jonas Salk developed his vaccine that we were able to come to grips with it. And even then you had to get it to the people. That’s what Rotary is about.

THE EDGE: It’s hard to differentiate between activism and philanthropy, because whether you’re giving your time or money, you want to take advantage of whatever platform you have to get the best results. For me that often turns out to be music-related, obviously. And it’s often very personal. That’s why after Hurricane Katrina I was co-founder of a new charity called Music Rising that was focused on preserving the music culture of New Orleans.

I had met so many of the musicians from that area, and we were able to get a lot of them back to work by replacing their equipment and instruments. Then the next phase was to get the schools and churches re-equipped. Then we managed to establish a new course of study at Tulane University focused on the music of the area, which I’m extremely proud of. It’s a legacy project because it means that these great musical traditions are being documented and understood in a much more in-depth way.

EVANS: Incidentally, I had the interesting experience of playing golf with Bill Clinton in 2009. We shared a buggy, and he talked a lot about Music Rising. He was quite aware of it and very impressed because he said he used to go to New Orleans in his younger days and jam with the musicians. So it got through to the presidential level! You never know.

EVANS: I’m a tenor, and I still sing in choir, although I don’t do as much solo work as I used to. But I really enjoy most types of music, apart from country and western. And traditional Irish music doesn’t send me wild.

THE EDGE: I remember growing up, there were a couple of standout musical experiences that I associate with home and my parents. We had a piano and a record player in the living room, so that room was infused with music a lot of the time. We had a collection of my dad’s classical records, some great Frank Sinatra records, and some obscure things like Herb Alpert. Then at a certain age, my brother and sister and I started to acquire a couple of our own LPs. Our very first purchases were the Beatles. We bought A Hard Day’s Night and Sgt. Pepper’s Lonely Hearts Club Band. Those are the early influences that I associate with home.

But the other one that made a huge impact was church singing. We had a 
decent enough set of voices in our Presbyterian church in Malahide. But it was when I would go with my parents back to Wales, we would go to chapel and have this 
experience of hearing an entire Welsh congregation singing hymns in perfect four-
part harmony. Literally the hairs on the back of my neck went up because it’s so 
unbelievably powerful.

THE EDGE: Not many people knew that my youngest daughter was diagnosed with leukemia when she was seven. There are certain personal things that you just don’t want to bring into your public life. At that time, it was extremely difficult for the family, and I did not want to add any sort of media coverage around it. We met many families in far worse situations. Our daughter’s chances of survival were always very high. But it was an ordeal nonetheless. She had a lot of chemo over a very long period of time.

When your child is ill, as a parent the first thing you try to do is fully understand what’s going on. So I dove into the science of cancer treatment. I stumbled upon the Angiogenesis Foundation through a friend who told me about William Li, the CEO. So initially I was just asking Dr. Li a thousand questions about everything he knew about cancer treatment and how angiogenesis inhibitors could be part of a cure. [A new class of cancer drugs starves cancerous tumors of oxygen and nutrients by blocking angiogenesis, the growth of blood vessels.]

As time went on, I got more and more impressed by what they were doing and decided to commit to being a board member. I’ve been on the board for almost 10 years now. About 100 drugs are in the R&D pipeline now. It’s a revolution in medicine.

EVANS: I have a spinoff of this, because I’ve had cancer for the last 10 years. I had chemotherapy yesterday, actually.

THE EDGE: Dad is here in part because of the revolution in angiogenesis treatments.

EVANS: Absolutely. I’ve had, let me see, colon cancer, liver cancer twice, lung cancer, 
and, at the moment, pleural cancer. I’m living with it. And I’m fortunate that 
the anti-angiogenesis drug I’m on is keeping the cancer at bay, and it has very little 
side effects.

THE EDGE: The thing about a father-son relationship is that you often end up not exactly doing what you were told but imitating what you saw happen. My father’s instinct for philanthropy, for activism and engagement, had an effect on me. And he definitely influenced what I do and say to my kids. When it comes to parenting techniques and philosophy, it’s funny to observe the echoes of what my mom and dad were like as parents reflected in me. I recognize that influence in tiny, trivial things. That’s the moment when it crystallizes and you think, “Oh, wow! There’s a lineage, a heritage here, and I’m part of that. ”

EVANS: Well, Gwenda and I were never Victorian parents. When Edge wanted 
to choose the band over college, we talked about it and we said, “Let him do it, let him get it out of his system. If it works, great. If it doesn’t work, at least you can 
never turn around and say we thwarted his ambitions. ” So we were pretty laid 
back about it. I think I could sum up our approach in these words, as advice to all parents, really: Never stand in the way of your children’s dreams – they might just come true.

By Julie Bain
The Rotarian

Tuesday, May 3, 2016

African Well Fund:Dream Out Loud

From May 1st to May 31st the African Well Fund invites U2 fans and others who are inspired by Bono’s tireless activism on behalf of Africa to donate to the 14th Annual Build a Well for Bono’s Birthday fundraiser in honor of Bono’s 56th birthday.

The 13 previous campaigns have raised over $245,000 in Bono’s honor to fund the construction of clean water and sanitation projects implemented by AWF partner Africare that are benefiting more than 73,000 people in Angola, Benin, Burkina Faso, Liberia, Mali, Uganda and Zimbabwe.
This year they  hope to push past a quarter of a million dollars. Donate!!

Sunday, May 1, 2016

"Papa Making History" Hollie Evans

"My Papa making history in one of the most beautiful places on earth"- Photo taken by Hollie Evans, Edge's daughter.

 U2's lead guitarist The Edge became the first rock star to play in the Sistine Chapel on Saturday, performing an unplugged set with the backing of a young Irish choir.

The musician, was invited to play in the 15th century chapel for the participants of a conference on regenerative medicine, which took place inside the Vatican.

"When I was asked to perform in the Sistine Chapel I didn't know what to say, because usually there's 'this other guy' who sings," The Edge told the audience, referring to U2's lead singer Bono. "So it took me at least, well, 30 seconds to agree to it."

At a conference on regenerative medicine at the Vatican to find cures for cancer, The Edge, from U2, performed a song in the Sistine Chapel. This video was captured by an attendee on a cell phone.

Bono joins ‘Eclipsed’ cast on Broadway stage to remember missing schoolgirls abducted in Nigeria

HEATER DISTRICT, Manhattan — Academy award-winning actress Lupita Nyong'o stars in "Eclipsed" on Broadway, the story of several women trapped in Liberia during the Civil War.

But it was the turmoil in a different African nation that brought her to tears at "Eclipsed" curtain call.

"In our story, we witness the power," Lupita Nyong'o said from the stage.

The cast of "Eclipsed" brought out a surprise star, U2's front man Bono, at their standing ovation curtain call after the Saturday matinee.

Bono, one of the most politically involved celebrities, was there to remember the 219 schoolgirls still missing after being abducted in Chibok, Nigeria two years ago.

"They were taken from their high school 747 days today," Bono said.

"If they were American or Irish girls, we'd get a daily report," he said.

Bono then named two girls missing —Lydia Habila and Rejoice Musa — and the audience repeated the names.

Several members of the audience were thrilled to be seated right behind Bono throughout "Eclipsed" and even more thrilled to find out why this activist rockstar was up on the stage.

"It was a fantastic tribute to these girls who have been lost for so long," Yadia Hinds said. "Just reminds me to hug my daughter. I am so grateful to have my child to hug."