An article that appears in the Australian The Age:
The idea for U2's latest tour came at the end of the band's last visit to Australia, in 2006.
The idea for U2 360° came at the end of the band's last visit to Australia, in 2006.
''Bono walked into a meeting and asked if he could play in the round next time,'' production manager Jake Berry recalls. ''I said, 'Of course you can.'''
Designer Willie Williams, who has worked with U2 since 1982, set to work with architect Mark Fisher. ''I didn't expect to have such a concrete idea. But an idea dropped into my head about the 360° concept.''
Williams describes the show as the third in a trilogy that follows his co-creations Zoo TV and PopMart.
''Those two shows were ground-breaking in advancing the form,'' he says. ''History has turned Zoo TV into something magical. PopMart had the first large LED screens the planet had seen. It seems mad now because it's standard practice for rock shows. After that, the floodgates opened.''
The team spent two years working on the logistics of 360°. The tour would require an investment of about $150 million to become feasible - a monster gamble for any rock band. Still, it paid off; the tour grossed $311 million in 2009.
Throughout the tour, there are three stages, or ''claws'', in motion. The first is being shipped to Auckland. The remaining video, lighting and automation come from the six 747s on their way to Australia.
''It's very difficult to take a show like this to Australia and make it pay,'' Berry says.
So large is the show, the crew have had to dramatically remodel venues around the world. In Barcelona, the tiny cobbled roads outside the stadium made it impossible to load in the equipment. Berry and his team got permission to asphalt the road. In Dallas's Cowboys Stadium, existing video screens - including the world's largest - were moved to accommodate the stage. Many soccer stadiums have required new grass lawns.
''We have dug out tunnels to get trucks and cranes in the buildings,'' he says. ''We've spent some money.''
Due to the scale of the show, U2 have purchased carbon offsets but Berry concedes a tour this size cannot have a clear eco-conscience.
''Carbon offsets were very high on our list,'' he says. ''We're doing as best as we can with it. With something this large, it's impossible to be 100 per cent.''
www.theage.com.au
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