Showing posts with label Other musicians/bands. Show all posts
Showing posts with label Other musicians/bands. Show all posts

Friday, May 12, 2017

Larry Mullen to appear in Alice Cooper's album

The album Paranormal will be released July 28


Alice Cooper will release his 27th studio album, "Paranormal", in July. The follow-up to 2011's "Welcome 2 My Nightmare" will feature guest appearances by ZZ TOP's Billy Gibbons, three members of the original ALICE COOPER band and U2 drummer Larry Mullen Jr.

During an appearance on last Friday's (May 5) episode of the SiriusXM radio show "Trunk Nation", Cooper said producer Bob Ezrin was responsible for getting Mullen Jr. involved in the sessions.

"Bob Ezrin and I sat there, and Bob says, 'What do you think about Larry Mullen on drums?' And I went, 'That's a great idea. It'll change things up so much on just the basic tracks.'"

Cooper also talked about the U2 drummer's somewhat unusual approach to recording. Alice recalled: "Larry [said], 'I wanna see the lyrics.' I said, 'Really?' He [said], 'Yeah, I play to the lyrics. I don't play to the bass.' And I said, 'That is so cool — just the idea that you're interpreting the lyrics on the drums.' So that totally makes the album another album."


Cooper added that he doesn't have unrealistic expectations for his new album, explaining that he is making records for his longtime fans, full aware that the days of multi-platinum LPs and million-dollar profits are long gone. "Those days are over," he said. "The golden age is over. I have a world of fans out there, all over the world, and it took forty-five years to build that fanbase. So when I make records now, I make 'em for those people. I'm not trying to break a new audience. I am playing an album for an audience that's already there, and I think AEROSMITH is too, and I think anybody that's established is making records for their fanbase."

http://www.blabbermouth.net

Friday, April 21, 2017

Bono thinks Oasis rock

Image result for bono and gallagher




Bono thinks Oasis rock. Superstar, Bono – the frontman of rock band U2 – has said he’s been introducing his 17-year-old son Elijah to the music of the 1990s, including bands like his friend Noel Gallagher’s old group Oasis. The 56-year-old rocker has took it upon himself to give his kids – two daughters, Jordan, 27, and Eve, 25, and two sons, Elijah, 17, and John, 15, his children with his wife Ali Hewson – a musical history lesson. Bono is great friends with former Oasis guitarist Noel Gallagher and he has been playing Elijah the Manchester group’s most famous tracks and introducing him to other classic 90s indie rock.

He shared: “I mean he listens to … I mean Elijah’s been, I’ve just been going through the 90s with him. Noel Gallagher, Stone Roses, Oasis, all that. He’s rediscovering that and I’m rediscovering it with him. On vinyl.” And the ‘With or Without You’ singer – whose real name is Paul Hewson – also credited his four children for helping him through “house parties”, as he admits they’re better at planning the events than he is.  Asked where he keeps his record player and what he uses it for, Bono said: “It’s in our kitchen. So is Edge’s. At home we do have house parties, though some of the better ones are now done by my sons and daughters. But we’ve been playing all kinds of things. “Yesterday we listened to the new Eagles album. I’m not talking about the Californian band, but I think they’re from Leeds, maybe. I think they’re from the UK, which was really great.” Bono is currently gearing up to head out on tour in support of the 30th anniversary of U2’s seminal album ‘The Joshua Tree’ – a tour on which the Irish stadium legends will be supported by Noel Gallagher’s High Flying Birds.
The singer has apologised to fans who will have to travel far and wide in order to make one of the exclusive shows, but has promised the concert will be “special”.

Speaking on UK station BBC Radio 2 on Chris Evans’ ‘Breakfast Show’, the ‘Beautiful Day’ songwriter said: “Originally we were just going to do a few shows, and I apologise to people in Scotland and Wales who have to come down to Twickenham (in London), or indeed in Dublin we could only do one show.  “We were only supposed to do three or four or five, we’re doing I think nearly 40 now across America and Europe. But as I say we don’t do birthdays, we’re more weddings and bar mitzvahs actually, but this seemed to be something to do. And yeah, we’ll see what happens, but it’s a special album of songs for sure.”


http://www.fashion.ie

Saturday, April 30, 2016

"We are family" award

Bono; Nile Rodgers

Bono surprised a New York audience Friday night when he jumped off the stage at the Hammerstein Ballroom midway into "Mysterious Ways." It was the last song in a short set of U2 tunes that the singer was performing with Nile Rodgers and Chic at the We Are Family Foundation gala, and the revelers – most of whom had left their $1,500-a-plate tables to dance up front – made an easy path for him. He stopped midway through the room, climbed on a chair and belted the song's lyrics about how the "spirit moves in mysterious ways." Then, in just a few strides, he made his own mysterious way out of the building – but not without speaking the night's motto as Rodgers' guitar rang out the song's final notes: "We are family."


Rodgers and his wife, Nancy Hunt, put the event together to raise money for the We Are Family Foundation, a not-for-profit organization that aims to promote a "global family" by focusing on educating young adults about respect and diversity. Early in evening, the Chic guitarist said his goal was to raise $1 million for the Foundation, which they ultimately accomplished with an auction, but the event as a whole also seemed like a celebration of creativity and compassion.

In addition to Bono, whose efforts to combat poverty in Africa and AIDS around the world, the event honored President Jimmy Carter, who accepted a "Peacemaker" award named after a young poet he once befriended, Mattie Stepanek, who had died at age 13 in 2004 after a battle with a rare form of muscular dystrophy. Between Bono's moves and Carter's moving speech, it was a gala full of surprises.

At the beginning of the evening, Rodgers stepped up to the podium holding a Stratocaster and began to tell the story of how he'd written "We Are Family," after using a sequence of chords he'd heard in a song by Children of God. "I only play that as an example that you can get an idea, and it just germinates and it blossoms and it grows – especially if you care and you have a big heart," he told the crowd. "That's what we stand for." Throughout the night, he and Hunt demonstrated that philosophy as they welcomed "youth ambassadors" to discuss how the organization had benefited them.

One young person who was involved with the We Are Family Foundation from its inception was Mattie Stepanek, whose mother Jeni gave a passionate speech about her son's admiration for Carter. Mattie had become infatuated with Carter and wanted to emulate his peaceful philosophies, and he got to share a friendship with the president a few years before his death. When Carter spoke, he dedicated his touching speech to Stepanek's memory. He talked about how the last three years of his young companion's life had affected him greatly ("It was a valuable friendship, an enjoyable friendship and it grew day by day," he said) to the point that when he received the Nobel Peace Prize in 2002, he said he felt like Stepanek shared the honor with him.

"I've known many famous people: kings and queens, great scientists, presidents, prime minister," he said. "I've known Mother Teresa. Nelson Mandela was a great friend of mine. We spent many times together. But I can tell you without equivocation that the most remarkable human being I've ever known was Mattie Stepanek."

Bono

After Carter spoke, the Foundation recognized the Adobe Project 1324, which promotes positive social change among young adults through creativity, and it began an auction. Items up for bid included dinner with Rodgers, a Greek getaway, an opportunity to showcase three songs for the CEO of Atlantic Records and a guitar lesson with Rodgers, among others. The pièce de résistance turned out to be the guitar Rodgers played during the David Bowie tribute at this past February's Grammys ceremony. It had been signed by Lady Gaga, LL Cool J, Dave Grohl, Beck, Skrillex, Rodgers and others, but as it went up to the crowd with a starting bid of $10,000, Bono autographed it and it sold for $100,000.

But Bono's true value at the event was not just his signature. Before the event began, Rodgers told Rolling Stone on the red carpet what it meant to him to have the U2 singer there. "Not only is Bono an incredible friend but he is at the top of the food chain when it comes to being a philanthropist and just a great humanitarian," the guitarist said.

When Bono accepted the honor, he gave his trophy to a young woman from the We Are Family Foundation who had introduced him ("It's better to give an award than to receive it," he said). "[With] the We Are Family Foundation, the gift is not just to see the future but to find those who can build the future," he said.

Bono then spent most of his time talking about the other luminaries there: Rodgers and Carter. He praised the way the guitarist had turned bad times growing up into (the song) "Good Times." Regarding Carter, Bono said that growing up during the Troubles in Ireland, he'd been impressed that the president quoted Bob Dylan and had an affinity for quoting scripture. "He presented a whole different way of thinking about American power," he said. "He made human rights a national mandate. He counted his success not by the wars that he waged but by the peace he made possible." He closed by comparing Carter to "great heroes of peace": Robert Kennedy, Mother Teresa and Martin Luther King, Jr., just as Rodgers and Chic – all dressed in white – kicked into U2's King tribute "Pride (In the Name of Love)".

Before the event, Rodgers told Rolling Stone that he'd asked to play "Pride," as it was one of his favorite songs. With Chic, the song picked up an almost transcendent quality as the beat got a little more disco-y, Rodgers played the riff crisply and the horn section played the occasional accents around Bono's "whoa-oh-oh-oh."

The Chic guitarist also picked the other selections. The guitar line in "I Still Haven't Found What I'm Looking For" rang anew as a more subtle song, gilded with female backup vocals and Rodgers' a bluesy, buoyant solo, as Bono sang the melody soulfully and smiled wide. "Beautiful Day" was greeted with a huge audience response, as fans danced and waved glow sticks previously used during the auction in the air. Bono just nodded along, grinned and blissed out.

Bono; Nile Rodgers

"It's a very special feeling to be on this stage with this extraordinary band and these singers," Bono told the audience between songs. "It's a very incredible thing for me not to be onstage with my three brothers. I always feel like one quarter of an artist without them."

He also talked about Rodgers' importance to his band. "Edge doesn't look up to many guitar players, but Nile's right at the top for him. I tried to get the band here, but everyone's doing something. I said, 'Edge, this is such a hero to you.' He said, 'Listen, I just can't get out of something.' I said, 'What are you doing?' He said, 'I'm doing a gig in the Sistine Chapel with the Holy Father.'" The audience laughed. "I said, 'Well, I'm doing a gig at the Hammerstein Ballroom, and we are going to turn it into the cathedral that it has been over the years for rock & roll music and hip-hop and dance music. And I am with the 'groove Pope.' To which Edge had nothing to say." He introduced "Mysterious Ways," which took on new life with a horn part that swelled with the guitars, and then disappeared into the crowd as it ended.

After a brief pause after Bono's departure, Rodgers led Chic in a thrilling set of hits he'd written and produced over the years. "Stay there," he told the crowd. "It's party time." From Chic's "Everybody Dance" and "Le Freak" to "Let's Dance" by "the man who changed my life," David Bowie, and Daft Punk's "Get Lucky," it was a showcase of Rodgers' breadth. He played his oft-imitated jittery, nimble guitar lines as the audience danced and swelled toward the stage around the tables up front. The night ended, of course, with Sister Sledge's "We Are Family." Dozens of concertgoers stormed the stage, as Kathy Sledge sang the anthem next to Rodgers. It was a display of unity. "I hope to see everybody next year," said the guitarist. "Let's do it again."



 http://www.rollingstone.com

Thursday, January 28, 2016

Bono Remembers David Bowie: 'He Is My Idea of a Rock Star'

Bowie; Tribute; Bono
David Bowie and Bono at Royal Festival Hall in London in 2002. "I'd like to consider myself David's friend, but I'm more of a fan," Bono told us. Kevin Mazur/Getty

"He was so vivid. So luminous. So fluorescent. The sky is darker without him"


In Rolling Stone's new David Bowie memorial issue, out January 29th, various artists pay tribute to the late singer, songwriter and pop innovator. In this exclusive recollection, Bono reflects on the way Bowie helped him find "doors into ... other worlds."

I've played at being a rock & roll star, but I'm really not one. David Bowie is my idea of a rock star. Right now, I'm in Myanmar, a little cut off from the reaction to David's passing, but I can assure you the sky is a lot darker here without the Starman.

The first time I saw him perform was on Top of the Pops in 1972, singing "Starman." He was so vivid. So luminous. So fluorescent. We had one of the first color TVs on our street, and David Bowie was the reason to have a color TV. I've said he was our Elvis Presley. There are so many similarities: the masculine-feminine duality, the physical mastery of being on a stage. They created original silhouettes, shapes now seen as obvious, that did not exist before.

They both had that otherworldliness. With Bowie, you had this sneaking suspicion that if you hung around him, you might find some doors into those other worlds. In my teenage mind, "Life on Mars?" was much more about, is there life on earth? Are we really alive? Is this really all there is?


And some of the doors Bowie opened led to other artists. He opened doors for me into Bertolt Brecht, and William Burroughs — and, by the way, Bruce Springsteen, who he was on very early. And for me, the most important door he opened was the one with Brian Eno behind it.

I'd like to consider myself David's friend, but I'm more of a fan. He came and visited us when we were mixing Achtung Baby — and, of course, he had introduced us to Berlin and to Hansa Studios. We had a playful sort of banter — he would really go there in conversations, and we would even occasionally hurt each other's feelings. He took his daughter to a matinee to see Spider-Man: Turn Off the Dark, and he sent me the reasons he didn't like it. And everything he said was really helpful, because it was in the early days of the show.

I’ve been talking with Brian Eno about this, because David sent Brian a goodbye note, and he shared the contents with me. It was so amazing, and it’s so funny. It’s a really surreal, defiant type of goodbye letter, a kiss-off. And I was saying to Brian that David had been on our minds. Over Christmas, my oldest daughter Jordan and I were listening to Blackstar a lot. David met her when she was two. He called her "Pixie," and she’s been a lifelong Bowie fan. 

I like Bowie when he’s evenly pulled in the direction of being a pop star and Picasso, where he’s right down the middle. That’s usually my favorite, when the songwriting is disciplined but the recording is not. I love when he’s pulled equally in the directions of art and populism. Blackstar is much more art, so I shouldn’t like it as much as I do. But I really loved it. And so did my daughter Jordan.

I sent him a picture of myself and Jordan toasting him on his birthday this year. I sent him a long email, and I sent him a beautiful poem by Michael Leunig called "Love and Fear" — one line goes, "there are only two feelings/love and fear." I didn’t hear back, but I was told he got it.

Ultimately, as a songwriter and as a performer, your currencies are thoughts and feelings. Some people may have original thoughts, but the musical landscape is not that unique. Bowie's musical landscape affected you in a way that is completely different from all the other music around it. You have to close your eyes, imagine you don’t speak English and just feel the songs and say, "What part of me is being played by those notes?" Or "Who else plays them?"

And in his case, the answer is nobody. That part of me is only played by David Bowie. So that part of me is now a void — I have to find other ways to wake it up. But it woke me up when I was 14.

As told to Brian Hiatt



 http://www.rollingstone.com/

Wednesday, November 4, 2015

U2 perform live with Patti Smith at London gig

U2 Bring Out Patti Smith To Perform

U2 were joined by Patti Smith during their concert at London's O2 Arena on Thursday night (October 29).

The Irish band are currently enjoying a six-night residency at the London venue, having kick-started the stint on Monday and performed with Noel Gallagher earlier in the week.

At Thursday's show, Patti Smith was invited onstage to perform U2's 1981 song 'Gloria' as well as Smith's own 'People Have The Power'. 




Noel Gallagher recently described teaming up with U2 at one of their London gigs earlier this week as a "dream come true".

The former Oasis guitarist joined the band onstage during the band's O2 Arena show on October 26, performing their hit 'I Still Haven't Found What I'm Looking For' before segueing into a cover of The Beatles' 'All You Need Is Love'.


Speaking to Audioboom, Gallagher said: "It was a dream come true to be asked to get up [on stage] with them and then it was a dream come true to be asked to sing that song ['I Still Haven't Found What I'm Looking For']."

"They're friends of mine. I've been friends with Bono for about 20 years. It was a great moment. I was stood in the wings and they were introducing me and I was thinking 'This is actually going to happen now, this is amazing'. They are one of my favourite ever, ever bands and that's one of the best songs ever written. It was a blast, a real honour."

Gallagher added: "I thought my catering was pretty good until I was at U2 the other night, which was honestly something else."

 http://www.nme.com

Friday, August 2, 2013

Bono and Ali at Nile Rodger's concert at Vence

Bono y Nile Rodgers


Bono at  Nile Rodgers  and his band  Chic's concert at  Festival “Nuits du Sud” in  Vence.


In an article published by www.perthnow.com.au: "Nile Rodgers strikes it lucky again" he said:

"This is a window into how I've always worked, but now people can see it. I meet somebody, we get along, we work together. The other day I was doing a show in Dublin and The Edge came, he's been writing me really supportive letters every day. Then I got an email from Bono. They're in the middle of a U2 record, but you forge these friendships that turn to musical events."

Rodgers is quick to point out the U2 connection is not musical - yet. "No that new record is Danger Mouse's (production) from what I know. We've only just met."

More pics here.

http://www.perthnow.com.au
pics: Nile Rodgers`Facebook account https://www.facebook.com/NileRodgersOfficial/photos_stream

Monday, January 28, 2013

Bono Promised Help to Mali’s Festival au Désert

Bono and Ali at the Festival du Art in Timbuktu, Mali, 2012

Last year Bono and Ali attended the Festival du Art in Timbuktu, Mali. This year with the  French military intervention in Mali , the organisers of the landmark music festival, Festival au Désert, were still adamant they would go ahead with this year’s edition ’in-exile’, having being forced out from their stricken native land.
Founded in 2001 by a collective of North Malian Touareg musicians, the festival’s thirteenth edition this year was to seek refuge in the community’s nomadic roots as its home, in the south Saharan city of Timbuktu, has come under the control of various coalitions of Jihadists and armed rebel militias since early last year (2012).
Planning to travel thousands of Kilometres, Festival au Désert looked to tour in February/March 2013 across Mauritania, Burkina Faso, Niger and Algeria in two separate caravans of artists, activists and fans, whose routes would eventually cross in Southern Mali.
Instead, the 2013 Rendez-Vous in exile will take the festival’s banner of non-violence and cultural struggle elsewhere around the rest of the globe, but most unlikely not around the Sahel. Over the next twelve months, a network of international supporters in partnership with the original production team will be running “in exile” events and caravans across the Middle East, Asia, Europe and the US.
In the light of current events and in an increasingly volatile region, this year’s edition is very unlikely to cruise around the Sahel as initially conceived, but cultural activists and festival organisers behind Festival au Désert will undoubtedly rise in defiance once again. It is a story of peaceful resistance whose message isn’t about Touaregs, ‘blue people’, nomads and myths of geographically-remote places echoed by colonial narratives and wreathed in orientalist whims. As Manny Ansar, founder and director of Festival au Désert, told Ceasefire in the course of this interview, “Festival au Désert is unwaveringly standing in solidarity with Timbuktu and vowing to extend Northern Mali’s tradition of tolerance to world populations in similar distress”.
Ceasefire has posted a long interview to Manny Ansar, founder and director of Festival au Désert. He mentions Bono`s help in the course of the dialogue:

CF: Historically, Festival au Désert has attracted many worldwide music icons such as Robert Plant of the Led Zeppelin. Is the festival still receiving support from international artists in the west?
MA: As for financing, this year there has been very little. Nothing confirmed so far. The Irish star Bono has promised to help after his surprise visit and stage appearance in last year’s edition. He often sends sympathetic messages of moral support. Bono is more involved and committed to the global caravan. He is in charge of this initiative, along with big names in the American cinema and media. At this stage, they are studying the feasibility of the project in different countries across North America, Europe, Middle East, Asia and elsewhere in Africa. The first event in this world tour is expected in April. It is aimed at raising awareness of the conflict and helping to alleviate the suffering of refugees.

To read the complete interview, click here. 
http://ceasefiremagazine.co.uk

Friday, January 18, 2013

Herbert Grönemeyer "I Walk Concert"



Last August Bono made a surprise appearance   on Herbert Gronemeyer´s show at the Metropolis Hall in Potsdam,Germany. Now the German artist has posted the video of the performance in his Facebook account.

Wednesday, January 16, 2013

The Rolling Stones and Bono Celebrate 'Muscle Shoals' Premiere



The Rolling Stones, Aretha Franklin, Paul Simon and Wilson Pickett are just a few of the artists who traveled to Muscle Shoals, Alabama, during the 1960s and early 1970s to record. In that small town, a handful of studios were changing the sound of soul and rock & roll. Now you can check out the trailer for the new documentary Muscle Shoals, from director Greg "Freddy" Camalier, which is set to premiere this year at Sundance.

Bono, Greg Allman, Clarence Carter, Mick Jagger, Etta James, Alicia Keys, Keith Richards, Percy Sledge and othere talk about the  magnetism y mystery of "Muscle Shoals", and why it`s still influential.

Filled with interviews with a wide array of artists and never-before-seen footage, Muscle Shoals tells the story of this Northern Alabama town and the many hits that came out of its legendary recording spaces: Rick Hall's FAME Studios and Muscle Shoals Sound Studio, which was started by FAME's former rhythm section, the Swampers. "Being there does inspire you to do it slightly differently," says Mick Jagger in the trailer. "It was really funky; you know, that was the whole idea of it."












Monday, January 14, 2013

Busking for Simon : 2012


Last Christmas, Bono, Glen Hansard, Lisa Hannigan, Sinéad O’Connor, Liam Ó Maonlaí, Declan O’Rourke, Gavin Glass, Steve Wall and many more join in a busking Christmas celebration on Grafton Street to raise money for homeless charities The Simon Community and the Peter McVerry Trust.

Director and documetarist Myles O'Reilly  made a documentary of that moment called "Busking for Simon :: 2012"







http://www.midwestsimon.ie/
http://www.pmvtrust.ie/
http://arbutusyarns.net/

Wednesday, January 9, 2013

Edge Launches Hurricane Sandy Relief Fund



NATIONAL RELIEF FUND + GRANT TO SUPPORT MUSIC PROGRAMS AFFECTED BY HURRICANE SANDY

U2’s the Edge Announces National Relief Initiative

New York, New York …January 8 , 2013….Music Rising, the award winning post-Katrina music initiative founded in 2005 has expanded its mission to rebuild music programsimpacted by natural disasters within the entire US. The initial donation being made by the new, nationwide Music Rising program is $250,000 to help rebuild school music programs in the tri-state area that were affected by Hurricane Sandy.
Music Rising’s original mission was to rebuild and preserve the music of the Gulf South region in the aftermath of the devastating2005 hurricanes. Having provided tens of thousands of instruments to musicians, schools, churches and community programs, Music Rising embarked on a partnership with Tulane University to create a curriculum that will permanently preserve the rich musical heritage of the Gulf South. The Studies of the Gulf South: Music Rising program launched in 2012, and will eventually be available to any teaching professional worldwide. In addition, after the 2010 Nashville flood, Music Rising provided significant support to musicians and to the Nashville Symphony. The process for those affected by Hurricane Sandy in applying for assistance is to email DeAnna Sanchez at Mr. Holland’s Opus Foundation at deanna@mhopus.org or to call directly at 818-762-4328. Music Rising is actively seeking support and endowments to continue its ongoing work of rebuilding music education programs as such needs arise. For more information about Music Rising or to make a donation go to www.musicrising.org. Music Rising is administered by the Gibson Foundation.

http://www.musicrising.org

Tuesday, November 20, 2012

Bono with Tiësto for (RED)


Tiësto posted this photo in his FB with this caption:

"It was amazing to be in the studio with Bono for (RED)." - Tiësto

So  we have to get ready for something coming from these two soon (Perhaps for December 1st, World AIDS Day??? Stay tuned...)

Monday, November 19, 2012

The Killers: With or Without You



The Killers' version of "With or Without you" at the O2 Arena, London, 16th November 









Monday, October 15, 2012

Bono' s collaborations

'There’s always more to Herbert’s songs than you first hear,’ says Bono, who duets with Herbert Grönemeyer on 'I Walk’

Herbert Grönemeyer is Germany’s biggest music star...Grönemeyer is a singer-songwriter of the highest order, a deep lyricist and richly melodic composer with a gruff, grown-up voice and vigorous stage presence, whose thoughtful songs deal with the real stuff of life. At 56, he regularly sells out stadiums, commanding his devoted audience with a lot of energy and humour, and interspersing his own, often darkly intense songs with brash, soulful cover versions. He’s been making albums since 1979, outsold Michael Jackson’s Thriller in Germany in 1984, and made the biggest-selling German album of all time, Mensch, in 2002...
This week, Grönemeyer releases an English-language album, I Walk (on his own label, Grönland). It’s a powerful, philosophical, adult collection of songs of love, loss, grief and recovery, which includes duets with Bono and Antony Hegarty, and guitar work from Manic Street Preacher James Dean Bradfield. It was recorded in London, where Grönemeyer has been living since 1998. “I am totally a Belsize Park man,” he smiles.

At an intimate show in Berlin, he holds his own duetting with Bono, whose superstardom is global compared to Grönemeyer’s local fame. The two have been friends since 2005, when Grönemeyer set up the Berlin leg of Live 8. Backstage, Bono reveals that he has been humming Mensch to himself all summer, before volunteering to sing it. “There’s always more to Herbert’s songs than you first hear,” explains Bono. “Mensch is a really profound song about the coldness and steeliness that friendship and love sometimes need to survive, a most unromantic paean to romance. That stuff appeals to me. Herbert has kind of a macho and manly presence, he’s got a gruff voice and a slightly gruff attitude towards dealing with problems. The song is full of 'get over it’ and 'just get on with it’, and I tried to offer a subtle counterpoint to that.”

To read more of  Neil McCormick`s article, here.


http://www.telegraph.co.uk//http://noticierou2.blogspot.com.ar/


Bono also participated in K'naan`s album Country, God or the Girl with the song "Bulletproof Pride". They had premiered the song last year at the Concert "A Decade of Difference" (A concert celebrating 10 years of the William J. Clinton Foundation). The album will be released tomorrow.




http://noticierou2.blogspot.com.ar/

Tuesday, June 5, 2012

U2 at The Queen`s Diamond Jubilee

What's happening, when?

Last night a multi spectacular group of artists were on stage to celebrate The Queen’s Diamond Jubilee at The Diamond Jubilee Concert. Among others, Paul Mc Cartney, Elton John, Robbie Williams, Will-I-am,  Kylie Minogue, Tom Jones, Jessie J were present to sing for the Queen.
U2 was present indirectly as the BBC orchestra played “Beautufl Day” while images of the  Queen`s 60 years` reign were projected over the wall of the Buckingham Palace .
Two weeks ago, Bono participarted in a homage to the Queen en the London Royal Academy reception.

Here`s a clip of the opening of the concert by  Robbie Williams:





Friday, January 6, 2012

Edge, Bono, What are you listening now?

U2.com has published an interview to Bono and Edge where they speak about music (and not theirs!).

Florence Welch of Florence And The Machine opening for U2 at Sun Life Stadium in Miami in June 2011.


As the year turned Bono and Edge called in to U2.com to reflect on some of the music they've loved in the past twelve months... and wonder at what the next year holds. 

What acts or albums left their mark in the past 12 months ?

EDGE: I think the Bon Iver record will be remembered for a while, with it's combination of the new folk thing and a level of experimental production that sets it apart. Very compelling and powerful but also very innovative. The Florence and the Machine record, Ceremonial, is also in that category.
There’s a Scandinavian band called I Break Horses and I really like their record ‘Hearts’. It has hints of Cocteau Twins and of Sigur Ros but while it’s cinematic and organic it also has an electronica feeling… quite fresh.
Then, for great writing, there’s Foster The People. Compositionally this is so powerful, and thematically strong, with hooks and ideas which are clear and to the point. I’m enjoying that new record (‘El Camino’) just out from The Black Keys and another band, Edward Sharpe and The Magnetic Zeros, have an album called Up From Below, which is a sort of mad circus of a record, full of life, vitality and fun. It’s like you’re entering a carnival, the smells and tastes and sounds that are wrapped up in that record.

Sounds like you feel it was a good year for music?

EDGE: A great year. Things are moving in several different directions at the same time. There’s no unified cultural movement that everything refers to but several different trains of thought which are all very interesting. The most interesting things will end up being those that have a certain duality, a certain internal argument going on within them which is certainly what’s happening with Bon Iver, with Florence and the Machine and with The Black Keys.

BONO:… yes, The Black Keys, much more interesting than The White Keys.

EDGE:… stay with The Black Keys and you can’t go wrong. As any piano player will tell you, it’s almost impossible to play a bum note if you’re on the black keys.

BONO… and the same for the band.

EDGE: There’s also another Irish singer I’ve been getting into lately, James Vincent McMorrow..
.
BONO: Oh yes, ‘If I had a Boat’, what a song…

EDGE: His version of Stevie Winwood’s ‘Higher Love’ is really beautiful and he might even be from Malahide…

BONO:.. sure nothing good comes out of Malahide…

EDGE:… as I was about to say!

BONO: Actually, I think Edge is also big on M83

EDGE:…yes!

BONO: ‘Hurry Up, We’re Dreaming’ was an important album but the one before that I loved too, ‘Saturdays = Youth’, that one really got to me.
I have to say, not just sticking with an Irish theme, but I think ‘Fallen Empires’ by Snow Patrol is an extraordinary album and for very subtle reasons. It’s a strange concoction of club culture and ecstatic rock. I find it very funny with some great lyrics and then it has all this organic, almost folksy energy but at a frenetic, speedy level… that’s been blowing my mind. Then the Coldplay album ‘Mylo Xyloto’ is great, they keep getting better.
For me Gavin Friday’s ‘Catholic’ is an amazing record, one of the albums of the year, and his song ‘Lord I’m Coming’ is my song of the year. It opens and closes the film ‘This Must Be The Place’ which premiered at Cannes and stars Sean Penn, Frances McDormand and Eve Hewson.

Of the acts that are less well known I think that Burst Apart by The Antlers is astonishing and Edge has already mentioned Ed Sharp and the Magnetic Zeros – ‘Desert Song’ is ridiculously good. Bloodless Coup by Bell X 1 is fantastic and, of course, Foster The People – ‘Torches’ - joy as an act of defiance. It’s kind of psychedelic pop music but in the face of the times we’re living in, I find the bouncy, big grooves just a real tonic.

Saturday, December 17, 2011

BONO ON STAGE WITH IMELDA MAY

Bono made a surprise appearance last night to sing a couple songs with Irish singer Imelda May during her concert at the O2 (formerly Point Depot) in Dublin. They sang U2's "Desire" and then did a cover of "Christmas (Baby Please Come Home)," the Darlene Love song that U2 also covered in 1987 on the first A Very Special Christmas  charity album.


You might recognise this one...' said Imelda May, as her band struck up the opening chords of  'Desire', towards the end of her sell-out show in Dublin tonight. At which point Bono walked on stage to join her at the mic and the audience at the O2 went ballistic. 







www.U2.com/www.atu2.com



Friday, December 16, 2011

“The Beginning of the End of AIDS.”



Pictures of Bono, Alicia Keys and other celebrities and world´s leaders at World AIDS Day 2011 Event (RED Facebook album)
Designed to eliminate AIDS -Join RED!!!



Wednesday, December 14, 2011

U2 Wishing Metallica Happy 30th Anniversary

U2 Wished Metallica Happy 30th Anniversary at the Fillmore in San Francisco.




You Tube user:  

Monday, September 19, 2011

The Love We Make





In the morning of September 11, 2001, Paul McCartney was in New York City on an air­port runway waiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music. As the tenth anniversary of 9/11 approaches, the documentary "The Love We Make", which chronicles Paul McCartney's journey through the streets of New York in the aftermath of the World Trade Center's destruction will be previewed at select theaters across the USA on September 8th. According to Beatles-Freak’s Review, the film is in "black & white, the camera follows Paul in New York City in his travels from October 11, 2001 to October 23, 2001 and his day-to-day dealings to organize and prepare for The Concert for New York, a benefit concert that was held on October 20, 2001. If you were expecting a 90 minute film on Paul’s reaction to 9/11, then you will be truly disappointed. If you’re a McCartney fan that wants to see what it’s like to be Sir Paul, then this film is for you."
"During TV and radio interviews leading up to the concert, Paul touches on issues dealing with how he’s dealt with grief in his life, how he deals with the conflict of being a pacifist after the devastation of 9/11 and how he came to the realization that he needed to do something while sitting in a plane on the tarmac watching the twin towers burn." 
"Mixed in with the interviews are Paul and his band rehearsing for The Concert for New York with many guest cameos as Paul discusses debuting his new song, “Freedom” for the first time at the show." 
The film was made by Albert Maysles, whose Beatles connections started with the 1964 Beatles film "What’s Happening! The Beatles in the U.S.A.". And just as back then, the new film has also been shot in 16mm black and white.