Showing posts with label Documentary. Show all posts
Showing posts with label Documentary. Show all posts

Thursday, July 30, 2015

U2 Concert Tour Special, Documentary Coming to HBO

U2 HBO specials


U2 and HBO are teaming up for two world premiere specials this fall — a behind-the-scenes documentary and a concert special.

The documentary, bowing on Nov. 7, will offer access to the rockers and the team behind their current iNNOCENCE + eXPERIENCE world tour, while also featuring interviews with the band, Bono, the Edge, Adam Clayton and Larry Mullen Jr.

U2’s Nov. 14 performance from the Bercy Arena in Paris will be showcased in the concert special, which includes music from the band’s entire career, starting with the 1980 debut album “Boy” to their most recent “Songs of Innocence.”

“U2 continues to take risks, which has made them one of the most consistently exciting forces in rock ’n’ roll,” HBO president Michael Lombardo said Thursday. “The one-two combination of this documentary special, followed by the concert, will provide viewers with the ultimate look at this remarkable band behind the scenes and on the stage.”

The doc will uncover the creation of the tour with interviews with Willie Williams, who has conceptualized U2’s tours for more than 30 years; designer Es Devlin; production director Jake Berry; audio director Joe O’Herlihy; exec director Gavin Friday; set designer Ric Lipson; and more creative types who help bring the band’s music to life onstage.

Davis Guggenheim will exec produce and direct the doc along with U2’s manager Guy Oseary. Shannon Dill will serve as producer. The concert special hails from Done and Dusted with exec producers Hamish Hamilton, Simon Pizey, Guggenheim and Oseary. Hamilton, who has worked with U2 on collaborations including “Elevation: Live From Boston,” “U2 Go Home: Live From Slane Castle,” the “Beautiful Day” documentary, and “Vertigo in 2005: Live From Chicago,” will also direct the special.

U2’s iNNOCENCE + eXPERIENCE world tour kicked off May 14 in Vancouver and runs through November.


http://variety.com/

Friday, August 29, 2014

The Edge Participates in Glenn Campbell's Documentary

The Edge participa en el documental "I'll Be Me" de Glen Campbell

The Edge, Bruce Springsteen, Paul McCartney and many other stars are in a documentary about Glen Campbell's farewell tour called I'll Be Me.

The pop-country legend was diagnosed with advanced Alzheimer's disease in 2011. The film shows live performances from his Goodbye Tour along with moments from his career and battle against the disease.

The Edge shares his admiration for the singer, who continued to perform despite his health problems: "The audience being there somehow triggers his ability to access that other part of his brain, which is incredible."


I'll Be Me, directed by James Keach, won the Grand Jury Prize at the Nashville Festival and will be in theaters on Oct. 24.





http://glencampbellmovie.com/http://www.atu2.com/

Thursday, February 14, 2013

"Breathe" in South Africa Documentary




Miracle Rising: South Africa (screened  on The History Channel), is a documentary about the legacy of South Africa’s political transformation that culminated in the first free and fair elections in April 1994.

Narrated through personal accounts from world leaders, politicians, celebrities and journalists including Bono,  Richard Branson, Whoopi Goldberg, Desmond Tutu, Cyril Ramaphosa, Embeth Davidtz and Mamphela Ramphele, this thought-provoking show reflects on South Africa’s very own ‘miracle’.

Miracle Rising: South Africa is a moving testament to the choices of people, both ordinary and iconic, where the human capacity to find compassion enabled a nation to avoid civil war and reach forgiveness for the greater good.

From Nelson Mandela’s decision to learn Afrikaans while in prison, to the amnesty hearings of the Truth & Reconciliation Commission, it explores the difficult decisions that were taken enabling enemies to achieve peace.

Bono makes a brief appearance in the 30-second trailer for the documentary and one of the songs included is "Breathe - Alternate Version" by U2. Producer Michelle Sparkes says:

Bono had already rewritten lyrics to Breathe for Nelson Mandela and when we interviewed him he asked if we would like to use the song in our documentary. Of course, we said yes.




http://www.thesouthafrican.com//http://www.atu2.com/

Wednesday, January 16, 2013

The Rolling Stones and Bono Celebrate 'Muscle Shoals' Premiere



The Rolling Stones, Aretha Franklin, Paul Simon and Wilson Pickett are just a few of the artists who traveled to Muscle Shoals, Alabama, during the 1960s and early 1970s to record. In that small town, a handful of studios were changing the sound of soul and rock & roll. Now you can check out the trailer for the new documentary Muscle Shoals, from director Greg "Freddy" Camalier, which is set to premiere this year at Sundance.

Bono, Greg Allman, Clarence Carter, Mick Jagger, Etta James, Alicia Keys, Keith Richards, Percy Sledge and othere talk about the  magnetism y mystery of "Muscle Shoals", and why it`s still influential.

Filled with interviews with a wide array of artists and never-before-seen footage, Muscle Shoals tells the story of this Northern Alabama town and the many hits that came out of its legendary recording spaces: Rick Hall's FAME Studios and Muscle Shoals Sound Studio, which was started by FAME's former rhythm section, the Swampers. "Being there does inspire you to do it slightly differently," says Mick Jagger in the trailer. "It was really funky; you know, that was the whole idea of it."












Monday, January 14, 2013

Busking for Simon : 2012


Last Christmas, Bono, Glen Hansard, Lisa Hannigan, Sinéad O’Connor, Liam Ó Maonlaí, Declan O’Rourke, Gavin Glass, Steve Wall and many more join in a busking Christmas celebration on Grafton Street to raise money for homeless charities The Simon Community and the Peter McVerry Trust.

Director and documetarist Myles O'Reilly  made a documentary of that moment called "Busking for Simon :: 2012"







http://www.midwestsimon.ie/
http://www.pmvtrust.ie/
http://arbutusyarns.net/

Friday, December 7, 2012

2013 Grammy Awards:From The Sky Down, Nominated


 the Davis Guggenheim directed documentary about the making of Achtung Baby, has been nominated for Best Long Form Music Video at the 2013 Grammy Awards.


The first ever documentary film to open the Toronto International Film Festival, Guggenheim travelled  with the band back to Hansa Studios in Berlin to reveal the hidden story behind the recording of a landmark album in the band's career.   'Quite simply, ' reported Entertainment Weekly, 'It's one of the most transcendent close-up looks at the process of creating rock & roll I’ve ever seen.'

From The Sky Down is up against some strong competition at the Awards in February including Big Easy Express (Mumford & Sons, Edward Sharpe and The Magnetic Zeros and Old Crow Medicine Show), Esperanza Spalding's Radio Music Society, Get Along (Tegan & Sarah) and the Sade concert video Bring Me Home.

www.u2.com//http://www.grammy.com/

Friday, October 19, 2012

From the Sky Down in Reus International Film Festival



Edition 2011


MEMORIMAGE 2012, Reus, Spain. 
Memorimage. Reus Internactional Film Festival is a competitive film festival targeting films that use archival footage. Memorimage is the appreciation of the past in the cinema filed.For this year’s celebration, Memorimage presents a programme that places priority on quality and seeks out the most recent film productions and also a number of additional activities for all kind of audiences, making Memorimage a strategic point of encounter to learn about and debate on the use of archival footage.

U2.From the Sky Down will be presented in the festival on November 8th  at Teatre Bartrina



    

Wednesday, October 3, 2012

Bono in "B.B.King-The Life of Riley"

BB King - The Life Of Riley, is a new documentary about the legendary blues singer/guitarist .Narrated by  Morgan Freeman and directed by Jon Brewer ,there are guest appearances of Bono ,  Mick Jagger, Eric Clapton and Carlos Santana  among  other artists.




The Guardian shows  part of Bono's appearance.



Theatrical release in UK : 15th October. 

http://www.atu2.com/http://www.guardian.co.uk/http://www.bbkingthelifeofriley.co.uk/

Friday, August 31, 2012

Bono on Anton Corbijn & U2


Anton Corbijn Inside Out: watch a clip of Bono talking about the photographer - video





A new documentary on Anton Corbijn, famed rock photographer and director of Control and The American, explores the relationship between the artist and some of his high profile subjects. In this clip Bono, lead singer of U2, explains how light ties Corbijn and his band together. Anton Corbijn Inside Out is released in UK cinemas on Friday 14 September and is available on DVD from 17 September


Wednesday, March 21, 2012

Daniel Lanois Discusses Achtung Baby


Ahead of his induction into the Canadian Music Industry Hall of Fame, CBC Music asked Daniel Lanois to sit down and reflect on five albums that he's worked on over his acclaimed career.

Lanois walks us through the making of U2's Achtung Baby and how Bono and company took to Berlin to mix "flesh and machine" for their new record:






http://music.cbc.ca


Monday, March 12, 2012

Bono Participated in a Documentary about Victor Jara


"The Resurrection of Victor Jara"  is a  film that documents the life and work of iconic Chilean songwriter Victor Jara, executed in 1973 by a coup de etat government. 
The film chronicles the outrageous efforts of Jara´s widow, Joan, to return the censored singer to the cultural life of his country. It also explores his profound  impact on artists, activists, and musicians of all ages inside and outside Chile.
Bono together with other musicians, activists and singers all  over the world participate  in the documetary that will be premiered on 28th September when Jara would have been 80 years old.

   


Monday, March 5, 2012

Edge on Homelessness and What He Is Listening Now






The Edge, producer of Friday night's MTV special on youth homelessness, "The Break," says he, too, sometimes finds himself at a loss about how to help people on the street.
"There's that awful thing where you realize there's nothing you can do, right at that moment, so you kind of pretend they're not there," he told TheWrap. "And I think for somebody who's homeless, particularly someone who's panhandling, that's the most emotionally difficult thing, is to become like a non-person. Like you literally do not exist to someone walking by.

"And I understand both sides," he added. "The person passing by just doesn't know what to do. So they end up blanking the homeless person. And it's a terrible thing to see happen. I've been guilty of it myself from time to time."

The musician and activist, who says he usually does give money to the homeless people he encounters, has spent three decades working on social causes like African famine relief as a member of his band. U2, the biggest touring act of 2011, has campaigned for causes and organizations from Make Poverty History to Amnesty International.

With "The Break," the Edge and host Anne Mahlum, an advocate for the homeless, profile three young people on the street and try to help them rebuild their lives. They include a woman who was involved in abusive relationships, a gifted drummer who suffered a downward spiral, and a woman who left home because her parents objected to her lesbianism. The Edge also wrote a song for the show, "There's No Home Like Place."

The Edge said U2 is "slowly starting to think about work," but the band is in no rush to get back to the studio, despite a wealth of material. Instead, it's listening to a lot of music. After we talked about the special, he told us what he's playing lately.

What interested you about this project?

It was something that just inspired me early on. I was questioning myself about some of my own ways of relating or not relating to homeless people, and it just started me on kind of a journey to answer some questions for myself. And in the process I started thinking about the way that the homeless are really completely marginalized, and in many cases disenfranchised.

They suffer through a lot of stereotypical views about how they got there. What I've learned is there is a myriad of reasons why someone might become homeless. No two stories are the same. I thought that it was time that there was a little bit more of an intelligent sense of inquiry into this problem. It's particularly serious at the moment with the economic downturn.

I thought if we could really make a difference in somebody's life with an intervention, it could be a reality TV kind of thing that would be very uplifting and inspiring, instead of making people view the show and feel better because they see a lot of bad behavior.

But also if somebody's in a position of being homeless, in could be hopefully an inspiring thing to see.
The question of how to help is a particularly interesting dilemma for you. As part of U2 and singularly, you're one of the most approached people in the world to help contribute to causes. And you're also in a unique position to help a lot of people. How do you choose what you're going to do?
I think it's down to feeling like you can move the needle, that you can make a difference. And of course we can't do everything, because then you'd be so diluted that there wouldn't be any kind of impact to your support or involvement. That's an important thing.


And the things that inspire you and the things that you feel moved to become involved with. As with Bono and his Africa work. He happened to be in Africa at a very pivotal time in his life and witnessed a lot of the problems with famine. And it's stayed with him. For me, there was something about the homelessness issue that was like this voice just saying, you've got to try to find some way of getting involved here.


There were a couple of stories as well that sort of inspired me. One Irish homeless man, in Dublin, quite famously rescued the driver of a bus that had plunged into the River Liffey. And he and a passer-by actually climbed down though this wrecked bus because the front of it was in the water but the back of it was accessible from the bridge. And they climbed down through the broken rear window and dragged the bus driver out and saved his life. But he ended up wandering into the night with his wet clothes to sleep rough.


And it just struck me as a kind of really tragic scenario – I wasn't the only one. It was a big story in Ireland.



Not that you've ever suffered through the kinds of struggles that homeless people do, but as a child or when you were trying to get U2 started, was there a time when you felt like you lived close to the margins?

I mean, friends of ours, during the early days, we would hang out in derelict buildings … and all that stuff, which was kind of almost a rite of passage, particularly if you were coming out in a punk band, the punk movement. But no, personally, I can't lay claim ever having had to deal with not having a home. Although there are people I know who've had phases of being homeless, I'm not putting myself forward as an expert in homelessness.

Tuesday, February 21, 2012

"The Break" Edge´s Homeless Documentary

THE BREAK is the personal vision of U2's world-renowned guitarist, The Edge, who believes that everyone deserves a chance at a decent life--especially youth who are living without a home or support system through no fault of their own. Scored by The Edge and produced by Gigantic! Productions, the multi-award winning team behind such acclaimed documentaries about youth in crisis as Gone Too Far, True Life: I'm Deaf and I'm Addicted to Crystal Meth, this documentary is an exciting and emotional voyage through unexplored territory. THE BREAK takes viewers on an inspirational journey like no other--all by offering young people a chance and someone to believe in them.





 The Break follows homeless advocate Anne Mahlum as she helps three homeless youths turn their lives around. Edge is credited with the original music of the series.
The documentary will premiere March 2nd at 8:00 pm ET (7:00 pm CT)on MTV.


Friday, February 17, 2012

Anton Corbijn´s "Inside out"







Anton Corbijn's prolific work has shaped the image of artists such as Joy Division, U2, Nirvana, Metalica, Depeche Mode or R.E.M. But what drives the photographer, filmmaker and video artist who has been hidden from the public for so long?


INSIDE OUT explores Corbijn's persona, uncovering his motivation and inherent conflict as an artist, between audience's admiration and personal loneliness and the unique iconography he created. With critical and insightful interviews of artists like Bono, George Clooney, but most of all Corbijn himself, we follow him to his current and childhood homes and his places of work, studio and film set to reveal the portrait of one of the most significant artists of post-modern pop culture.


video: U2news.com
information: www.imdb.com


Friday, January 13, 2012

Tribute to Die-hard Fans


Self-proclaimed music lovers and long-time U2 fans, Dayna Shereck and Tami Falus, have brought their passion to life with “General Admission ‘Layin’ it on the Line” for U2’”, a documentary revealing the ultimate U2 fan experience.
Fascinated by the subculture of U2 fans who opt to camp-out for the gruelling and intimate general admission experience, Shereck and Falus join the group of die-hard fans who have invested over fifty hours into a U2 show, before the band has even hit the stage!

These two first-time filmmakers decided to make this film with the mandate to capture the U2 fan experience, demonstrate the level of kinship within the line and explore the continuously changing dynamics of the general admission line.
Shereck said “U2 fans come from across the globe, with many different backgrounds, of many different ages and holding greatly differing beliefs. However, what brings this vastly diverse group of people together, is their collective love for U2.

The film follows Shereck and Falus through their experience as line leaders, holding the coveted “number one” and “number two” positions for a Toronto U2 show. They examine the idiosyncrasies of this complex fan-organized process as the filmmakers immerse themselves into the world of the general admission line.

With a shared love for U2 and a sense of community that reaches international scales, “General Admission” places a microscope on a whole subculture of people that often relive the general admission experience on a regular basis.

For more information about General Admission, please visit generaladmissionthefilm.com.

Here’s the trailer for the documentary



Friday, November 18, 2011

U2 by Interview Magazine


DAVIS GUGGENHEIM, STEPHEN MOOALLEM

ANTON CORBIJN



Since coming out of Dublin in the late ’70s, U2 has released 12 studio albums, the majority of which are great, and a handful of which are even greater—which is to say, sharper, deeper, tighter, and more adventurous and all-consuming. Near the top of that list is 1991’s Achtung Baby, a dark record birthed during a series of fraught sessions at Hansa Studios in Berlin in late 1990, and one that’s as important for the succession of dirty, experimental, and indelible songs that it spawned—“The Fly,” “One,” “Mysterious Ways”—as it is for the radical and willful break from the past that it came to represent.



By the time the members of U2—Bono, The Edge, Adam Clayton, and Larry Mullen Jr.—decamped to Hansa with producers Brian Eno and Daniel Lanois to begin work on what would become Achtung Baby, they were already the biggest band in the world. But as work on the album progressed in Berlin, and later back in Dublin, the widescreen romance and earnestness of earlier records like The Unforgettable Fire (1984) and The Joshua Tree (1987) gave way to a noisy meld of Manchester-dance and German-electronic influences shot through with a mix of irony, ecstasy, and high-modernist wit. For the tour in support of the album, the band’s previously stripped-down road show was supplanted by the elaborate Blade Runner-esque stage-set and oversize video screens of Zoo TV, with its between-song channel surfing, audience confessional videos, in-show satellite hook-ups, and theatrical flourishes. Then there was Bono, decked out in Jim Morrison’s pants, Elvis’s jacket, and, of course, Lou Reed’s bug-eye sunglasses—the rock star remixed. It was at once like nothing anyone had ever seen or heard before—at least on purpose, in one place, from a rock band—and, at the same time, all too much like everything that everyone was seeing everywhere at a moment when the map of the world was being redrawn, a media revolution was afoot, and the culture itself was in the midst of a tectonic shift.
From The Sky Down, Davis Guggenheim’s new documentary about U2’s struggle to find a new direction—and to stay together—during the making of Achtung Baby, delves into the genesis of the album through the lens of a return trip to Hansa that the band made earlier this year. (The film is airing right now on Showtime.) This month, U2 is also releasing a special 20th anniversary edition of Achtung Baby that includes both the full original album and 1993’s Zooropa, as well as an array of B-sides, outtakes, and alternate versions of songs.
I spoke with Guggenheim, The Edge, and Bono in early September in Toronto, hours before From The Sky Downwas set to premiere at the Toronto International Film Festival. —STEPHEN MOOALLEM













Thursday, October 27, 2011

Bono´s "Bongolese"




'Ah this is Bongolese... this is how they write their songs.'

Making the new documentary to mark the 20th anniversary of Achtung Baby, Director Davis Guggenheim discovered how the band write their songs.

www.u2.com/you tube user, U2hellas

Wednesday, October 26, 2011

Revisiting U2's dark, dramatic 'Achtung Baby'


Bono and The Edge are enjoying vodka martinis at the inveterate Musso & Frank Grill, a celebrated time capsule of bygone Hollywood and the former haunt ofCharlie Chaplin, Raymond Chandler and Rudolph Valentino. The dark booth seems a fitting spot for the singer and guitarist to ponder U2's newest project: a dusky catalog jewel.
Reissuing 1991's Achtung Baby with a new companion documentary wasn't an easy decision for a forward-looking band averse to rearview glances, says Edge, 50. "How big a deal do we make of an anniversary when we're in the middle of what we're doing now? We had a hard time figuring that out. We're not a heritage act. We're still very active. But this record was so pivotal that we felt it was OK to revisit it.
The Irish quartet doesn't just drop by. This is an extravagant homecoming. The refurbished album arrives Tuesday in five versions: the original CD ($14), a double CD loaded with extras ($30), a four-disc vinyl box ($120), a super deluxe set with six CDs, four DVDs, 16 art prints and hardbound book ($168), and the wallet-busting "Uber" edition in a magnetic-puzzle tiled box that adds such bonuses as vinyl singles and Bono's "The Fly" sunglasses ($470).Extras include B-sides, demos and remixes, "kindergarten" early versions plus such previously unreleased songs as minimalistic Oh Berlin, emotional ballad Heaven and Hell and tense waltz Everybody Loves a Winner.
Recorded over six months in Berlin and Dublin, U2's seventh studio album found the passionate, rootsy rockers of The Joshua Tree and Rattle and Hum confounding expectations with daring leaps into irony and sex, wrenching emotional candor, intoxicating dance rhythms and industrial clatter, delivering the iconic One and such classics as Mysterious Ways and Even Better Than the Real Thing.
"We had become very earnest by the late '80s," says Bono, 51. "We were carrying quite heavy moral baggage, and the strain was showing. When you write a song about Martin Luther King, people think you must have aspirations to be like him. You can never live up to these songs. So the '80s put us in this situation where the songs and our actual selves were very different.
He laughs. "We finally owned up to the shallow people we are in Achtung Baby."

Tuesday, October 25, 2011

U2 Revisit ‘Achtung Baby’ – and Question Their Future for Rolling Stone




Bono: 'We'd be very pleased to end on 'No Line on the Horizon''


Those words were published by Rolling Stone magazine and they sound harsh. Let´s read the rest of the article by Brian Hiatt.

Ask Bono a tough question and you might get a tougher answer. U2 are about to release their most expansive reissue project yet, for 1991's Achtung Baby – the album where they traded in earnest uplift for funk, noise, sex, irony and self-doubt. So how does this lavish look back square with the band's old lyric "You glorify the past when the future dries up."I'm not so sure the future hasn't dried up," says Bono, who's been irritating his bandmates lately by publicly questioning U2's relevance – despite the fact that they just finished the highest-grossing tour of all time. "The band are like, 'Will you shut up about being irrelevant?'" he says. But Bono can't help himself – even though U2 have been in and out of the studio with various producers recently, he raises the possibility that the band may have released its final album. "We'd be very pleased to end on No Line on the Horizon," he says, before acknowledging the unlikelihood of that scenario: "I doubt that."
Bono concedes that revisiting the album where U2 punched themselves out of a tight corner – after 1988's Rattle and Hum movie and album helped convince some music fans they were hopelessly solemn and pompous – suggested a way forward. "Ironically, being forced to look back at this period reminds me of how we might re-emerge for the next phase," says Bono. "And that doesn't mean that you have to wear some mad welder's goggles or dress up in women's clothing. Reinvention is much deeper than that."
Moving forward has never been easy for U2, as chronicled in the outtakes, B sides and early versions of Achtung songs unearthed for a new box set – and set forth in moving detail inFrom the Sky Down, a documentary about Achtung Baby's genesis by It Might Get Louddirector Davis Guggenheim. The movie, which opened the Toronto International Film Festival, makes it clear that trying to find a new sound led to what the Edge calls "a potentially career-ending series of difficulties." In tracing the creation of "One," the film also reveals that lyrics such as "We're one, but we're not the same" are as much about the band's fraught brotherhood as anything else. "I thought [Achtung Baby] was a really supercool moment in a not always supercool life," Bono says with a laugh, "and [Guggenheim] goes and makes an uncool film about us!"
Rattle and Hum, and the horn-section-and-B.B.-King-accompanied Lovetown Tour that followed, were U2's rootsiest moment. But for a band whose actual roots were in late-Seventies post-punk, the cowboy hats and denim were starting to chafe. The Edge was listening to My Bloody Valentine, Nine Inch Nails and Einstürzende Neubauten, while also noting the fusion of rock and dance coming out of Manchester, with groups like the Stone Roses. "I always remember the intense embarrassment when I happened to be in a club and a generous-spirited DJ would put on one of our tunes from the War album," the Edge says. "It was so evident we had never been thinking about how it would go down in clubs. So we just wanted to stretch ourselves in the area of rhythm and backbeat and groove."
The band recorded the bulk of the album in Berlin's Hansa Studios, just as Germany was reunifying – and as co-producer Brian Eno wrote, aesthetic guidelines soon emerged: "Buzzwords on this record were trashy, throwaway, dark, sexy and industrial." "We found it was more interesting to start from an extreme place," says the Edge.
Hence the buzz-saw guitars that kick off the opening track, "Zoo Station," followed by a blast of Larry Mullen Jr.'s drums distorted almost beyond recognition. "Some of the extreme sounds weren't achieved with sophisticated, outboard equipment, dialed in carefully," says the Edge. Instead, they simply overloaded their vintage recording console. "It was literally, 'What happens if you try to go to 11?'" says the guitarist.
For the band, rediscovering the wildly different lyrics and arrangements on the early "kindergarten" versions of the songs was revelatory – "Tryin' to Throw Your Arms Around the World," for instance, sounds like an Irish folk tune. "The first time the paint goes on the canvas is a very, very exciting moment," says Bono. He was intrigued by a line in the early "Who's Gonna Ride Your Wild Horses" that recasts its story as a "parasitic" love affair ("Your innocence I've experienced"), while the Edge is convinced the more restrained vocal melody on that version is superior to the released track.
One of the more intriguing outtakes, "Down All the Days," has the same backing track as "Numb," from U2's 1993 follow-up, Zooropa, with Bono singing an entirely different song. "It's this quite unhinged electronic backing track with a very traditional melody and lyrics," says the Edge. "It almost worked."
Meanwhile, U2's future plans are not set. "It's quite likely you might hear from us next year, but it's equally possible that you won't," says the Edge. Adds Bono, "We have so many [new] songs, some of our best. But I'm putting some time aside to just go and get lost in the music. I want to take my young boys and my wife and just disappear with my iPod Nano and some books and an acoustic guitar."

This story is from the November 10, 2011 issue of Rolling Stone.

Thursday, October 20, 2011

Adam tells us about the beginnings of U2

In Davis Guggenheim's new film From The Sky Down, Adam recalls the earliest days of the band.


'We've tried this going to college thing and this going to work thing... and we want to be in the band.'





www.u2.com//www.u2fanlife.com