Saturday, March 30, 2013

Julian Lennon Speaks About U2`s New Album

According to Julian Lennon, U2`s new album will be released by the end of this year. He also said that his photographs may be part of the artwork of the new album.
He spoke for Veronica Magazine from Holland.





http://www.veronicamagazine.nl/

Tuesday, March 26, 2013

10 Les Paul Stars Of The ‘90s

Les Paul`s website has named the  10 top guitarists, from blues to metal, pop to rock, from stellar riffs to intense soloing that have made a difference in the 90`s. Among the greatest guitarists mentioned like Jimmy Page,Joe Perry, Neil Young,Slash and others, they listed The Edge. 


U2’s guitarist changed his sound around for ‘91’s dark Achtung Baby album, introducing Les Pauls for thicker, FX-driven tones. In the ‘90s, Edge mainly played two white Les Paul Customs, from 1973 and 1975. He also has a 30th Anniversary Les Paul Gold Top from 1982 and, more recently, a 2005 Les Paul Standard. Edge has since donated his more “cream-colored” Les Paul Custom to a Music Rising auction, with Gibson then creating an exact 2008 Custom Shop replica for him.

Here’s Edge and Les Paul Custom in full flow on U2’s legendary Zoo TV tour of ’92-’93.





http://www2.gibson.com

HOT PRESS MEETS ADAM CLAYTON


In a rare interview, U2’s Adam Clayton discuses why battling his own demons has inspired him to help young people with mental health issues – and talks about the upcoming U2 album...

Heads don’t so much turn as spin Exorcist-style 360º as Adam Clayton walks into the Four Seasons Hotel. The Ballsbridge five-star is used to superstar guests – Metallica, Bon Jovi, Slash, Justin Timberlake and Cameron Diaz among them – but in terms of being recognised and revered in their hometown, U2 are in a different stratosphere to anyone else. Something that, as we’ll discuss later, brings with it its own set of pressures.



The last time we spotted Mr. C at Christmas, he had a near Afro, but today the hair is almost back to regulation U2 bassist length.

We’re here to discuss Adam’s patronage of Walk In My Shoes, April 12’s mental health day of action, but before getting dopwn to business, he’s willing to talk about the day job.

“We very much want to have a record out by the end of this year,” he informs me. “September, October, November; that kind of time. We’re working with Dangermouse who’s a smart guy. He’s on it; he’s excited. It’s a great team and feels very liberating at the moment – anything goes.

“We have an abundance of riches,” Adam continues. “We could make three or four different records and justify that to ourselves, but to make the best record you can, you have to steer away from the ones you can make easily. We’re really trying to get into territory that we’re not comfortable in. If that makes sense…”

It does. During their five-decade career, U2 have never made the same album twice and in Achtung Baby, Zooropa and Pop they have thrown some serious curveballs. I found it highly telling a few years ago when I asked Bono who the competition was, and instead of fellow Hall of Fame-ers like The Who and the Stones he said, “Arcade Fire, The Killers, Franz Ferdinand, Arctic Monkeys.”

“Well, that’s the music we’re excited by,” Clayton avers. “You can still listen to Van Morrison, you can still listen to the Stones or whatever – but it’s different. I like to hear things being expressed in a new way. It’s like, if I was in a band coming up now I don’t think I’d be listening much to U2. You need something to kick against.”


So what’s been floating his musical boat of late?

“The Tribes album, Baby, is one I keep coming back to. I can’t wait to hear the latest Nick Cave record – there’s something a bit different and fresh about the single. The Vaccines have that garage-y Ramones thing going on, which I’m a sucker for. The Villagers album is great – Conor J. O’Brien is an incredibly talented guy. I made a bit of a connection today at the Walk In My Shoes launch with The Original Rudeboys – they have a lot of energy. A band I really like and got to see in London recently are The Maccabees. They sound quite tough on record, but live are a bit… not wimpy, sensitive!”

So that’s five new artists, plus old Nick, who’ll be hoping for a call when U2 take to the road next.

“Who knows?” he laughs. “Everyone always has their ears open. It’s like when Kings Of Leon were on their way up – I think we’d done Top Of The Pops with them and thought, ‘These guys would be perfect for the Vertigo tour'. Which they were. People think it’s us doing them a favour, but it’s the other way around. Nothing keeps you on your game like having a really hot band on before you!”

Is Adam still a massive reggae fan?

“It was a long time ago, when I used to like the reggae woodbines; my perspective changed a bit when I gave them up,” he smiles. “The songs are still great. If Bob Marley had been white he’d have been bigger than The Beatles. If you dissect how it works, rhythmically and everything, him and the Wailers were very on it. It’s not stoned or doped out or anything.”

Which brings us neatly to our main reason for being here – Adam’s ambassadorial role with Walk In My Shoes, a St. Patrick’s University Hospital, Dublin initiative to raise both funds and awareness of the mental health issues facing young Irish people. How did he get involved?

“It’s a combination of three or four things,” he proffers. “My mother – who passed away last year – worked during the ‘80s on the fundraising committee at St. Patrick’s and introduced me to this great guy there, Dr. John Clooney. He said to mum, ‘If Adam wants to know where to invest his money he should look at art'. He really knew his stuff and guided me as I built up my collection. We also talked about the suicide rate among young Irish males being the highest in Europe – yet depression and schizophrenia and the like are treatable diseases.”


Being a teenager is doubly difficult when there are bugger all jobs out there.

“I’m very aware that we’re going through a recession very similar to the one we came out of in the ’70s,” Adam acknowledges. “For me, the rest of the band and lots of the ‘generation of no hope’, music was our salvation. I liked the idea of in some small way carrying on my mother’s work with St. Patrick’s and, then of course, I have my own history with drugs and alcohol.”

Which started when?

“I began smoking and drinking when I was around 15. Every time I had an uncomfortable feeling or problem, instead of figuring out how to solve it I’d self-medicate. Cigarettes and beer were how I dealt with that low-level depression you get as a teenager, and which can develop into something darker if not dealt with properly.”

Our perception of adolescent suicide being a predominantly male thing changed last year when Ciara Pugsley and the Gallagher sisters, Erin and Shannon, took their own lives after being cyber-bullied. Logging on to the Ask.fm site that they were reportedly all members of, one of the first messages I saw was: “Okay, this little slag its about time she fucking killed herself. Please send her messages and give her abuse to the point where she slits her wrists so deep that she dies please x.”

A perfect example of what might more accurately be described as anti-social media.

“Wow… that’s obviously distressing,” says the visibly taken aback musician. “There’s a lot of unpleasant activity out there and weaker people are being picked on. It’s a whole different level of intrusion into their lives.”

Has Adam talked to his own internet-using young fella about the perils of cyber-bullying?

“I’m no longer with the mother – it was a short relationship – and he lives in Switzerland. I see him as regularly as I can. But it’s an interesting question… Personally, I don’t really use a computer very much – there are so many other things I’d prefer to be doing than being online – so I’m not fully aware of all the possibilities out there. I suppose I really ought to be.


“I experienced a limited amount of bullying as a child,” he adds. “I had glasses and was a little bit chubby. I figured the best way to stay out of trouble was to try and make people laugh. That was sort of my technique – later, it changed to getting thin and rid of the glasses (laughs)!”

Was he hassled at school over the English intonation in his accent?

“Em, a little bit. In some ways that was more imagined than reality. I arrived here as a five-year-old, which was the strangest experience. We’d been living in Kenya, so I was used to outdoor smells and the sunshine and talking in Swahili, which wasn’t on the curriculum at Howth National School! You had to ask permission to go to the bathroom, or to do anything, in Irish. I couldn’t figure it out and there were lots of ‘dún an doras’ and all of that stuff. It was a real mystery for me to be in this cold, dark, wet country. Maybe that was the start of my depression!”

The last person I had a sparkling water with in the Four Seasons reading room was Amy Winehouse, who was adamant then that her drug and alcohol-abusing days were behind her.

“I think every addict convinces themselves – and everyone else – that it’s going to be different next time,” Clayton niods. “In my own case, I was able to drink in a way that was destructive and detrimental to my health – but I was always able to do the gig. Until I couldn’t do the gig.”

He’s referring to November 1993's Sydney Football Stadium headliner which, with Adam drunkenly out of commission, U2 played with a roadie on bass.

“You’re in the lucky position of working in music and getting to entertain people… That was a pretty awful feeling and you promise yourself it’ll never happen again. I was lucky – I realised that if I didn’t do something about it I’d lose everything. I’d run out of excuses.”

Before that meltdown, had his bandmates been aware that his drinking was spiralling out of control or was Adam adept at covering it up?


“Not everybody understands addiction, but they were beginning to go, ‘He’s not handling this very well'. I became a very bitter kind of a person that wasn’t living up to my potential. There comes a point, as you age, when that’s not very gracious.

“I was in a successful band with great people whose lives were functional. They were in long-term relationships and raising families. I’d look at them and me and go, ‘What’s the difference here; what’s wrong with this picture?’ I hated not feeling good enough.”

Does Adam think that with a wife and kids at home – or, indeed, on the road with him – he’d have stayed out of trouble?

“I don’t know. I wasn’t very good at relationships. Well, it’s chicken and egg really, isn’t it?”

When did he go from having a few relaxing pre/post-gig drinks to draining the hotel mini-bar?

“Around Zoo TV. That was just a period of confusion for me. I suppose it had started with the success of The Joshua Tree. Looking back now, it being so successful took me about 10 years to get used to.”

Glen Hansard said exactly the same thing to Hot Press about his Oscar win with Once. You spend a lifetime striving for something only to feel a sense of loss when it happens and irrevocably changes your life.

“Nothing is ever quite the same,” he nods. “Everyone says, ‘Well, isn’t that what you wanted… blahdy, blahdy, blah?’ but there are things that you can no longer do. Some of which were very important to me.”

Such as?

“Sitting on public transport and observing people; going to gigs and not having people talk to you all the time so you can listen to the band. I found it hard being in that situation where everybody else in the room knows more about you than you know about them. The good news being that if you’re lucky enough to stay successful, you do get the hang of it eventually!”

Would Adam have had some kind of dependency problem if he’d been a plumber, or was it a specific reaction to the goldfish bowl U2 suddenly found themselves in?


“I can only speculate, but I have a feeling I had a predisposition. The first time I took a drink or drug or had any experience of excitement, my immediate reaction was, ‘I want to do that again, give me more, double it!’ That probably wouldn’t have changed if I was a plumber.”

Glen required a pep talk from Bruce Springsteen to get over the sudden fame ‘n’ fortune blues. What cured Adam?

“I worked it out on my own. You kind of give yourself a slap around the face, eventually. If you put limitations on yourself, you can remove them as well. Nowadays, if it’s the quickest way of getting somewhere I do catch the Tube in London or the Subway in New York. I enjoy that.”

What about the Luas?

“Not as much! I find Dublin a very easy city to be in – but I’m lucky, I’m just the bass-player!”

Hot Press – as you’ll read in our next issue – will be supporting Luke ‘Ming’ Flanagan during the summer when he presents his private member’s bill to the Dáil calling for the legalisation of cannabis. Where, as a very much ex-smoker, does Adam stand on the issue?

“It’s a difficult argument,” he admits. “I used to be a lot more liberal about it. You don’t want to criminalise people (for using cannabis) but… I’m very respectful of drugs and I’m very respectful of alcohol and feel that we’re not properly educated about either. Let’s get the correct information out there rather than scaremongering.”

Adam has spoken of his continual battle with the “the devil inside". Who’s winning at the moment?

“That dark side was related to my inability to psychologically reason with myself,” he reflects. “I’ve worked hard at acquiring the tools to overcome my insecurities and low self-esteem. Unlike 20-years ago, I go to bed now looking forward to the next day. My hope is that Walk In My Shoes will break any remaining taboo surrounding mental health issues. If people feel they need help, they shouldn’t be ashamed to ask for it.”

Is he a Sopranos fan?






“Yes, massive!”

What I hadn’t realised until talking recently to Joey Pantoliano, AKA Aprile crew member Ralf Cifaretto, is that Amnesty International has made mental health a human rights issue.

“I hadn’t either, but that absolutely makes sense,” Adam concludes. “Everybody should have free and easy access to mental health treatment."

http://www.hotpress.com





Friday, March 22, 2013

Collectors set to flock to Ireland’s first ever rock and pop memorabilia auction





A pop and rock memorabilia auction in Dublin at the weekend includes rare acetate and vinyl records, autographs, photographs and other items from artists including Elvis Presley, the Beatles, Buddy Holly, U2 and Rory Gallagher.

Organised by Whyte’s Auctioneers, the 200 lots – due to go under the hammer at the RDS on Sunday – span 60 years of international and Irish pop and rock ’n’ roll. Almost all the items were sourced in Ireland.


An original copy of the first press mention of U2 in the Evening Press in March 1978, when the band was known as U2 Malahide, is estimated at €500-€700. All the names of the band members are misspelled in the photo caption apart from Adam Clayton.

Items from Thin Lizzy, Phil Lynott, Van Morrison, Rory Gallagher, Christy Moore, Clannad and the Corrs are also included.

A chair designed by Stephen Colgan for Imelda May, signed by the singer, is being offered on behalf of the Parkinson’s disease charity in |Ireland. Other customised chairs signed by Nick Seymour, Michael Flatley and Daniel O’Donnell are being sold for the charity.




Ian Whyte of Whytes ’s Auctioneers said the collection had something for all music lovers.
“The items start at €100-€150 and then go up to the highest at over €50,000, but there’s something for every budget. It’s nice for fans to have a memento of their favourite music act, but there’s plenty of items for the serious collectors.”

Items are on show at the RDS from today until Sunday ; the auction tak es place from 2pm Sunday. See whytes.com/.


http://www.irishtimes.com// http://www.whytes.ie

Wednesday, March 20, 2013

'Like Lighting Gunpowder...'




The best shows of the tour? 'South America,’ says Adam. ‘The other ones I remember for pure determination were where we had torrential rain – Zurich, Brussels, and one of the Austrian ones where we just had insane rain. The audience, they didn’t give up on it, they stayed there and they went right to the end of the show...'

'In 1976 Martin Amis reviewed the Rolling Stones at Earls Court for the New Statesman. ‘The ante-hall of the Earls Court Arena was a Brobdingnagian underground car park of remote and overcrowded bars, sweet shops and dirty hot-drinks machines. Normally a token homogeneity obtains at the average rock concert: David Bowie fans all look and behave like David Bowie, Bryan Ferry fans all look and behave like Bryan Ferry etc. But everyone is a Stones fan.’ Not everyone is a U2 fan, but not only do they appeal to U2 fans, they also appeal to people who don’t necessarily like any other sort of music, and the people who make up the crowd at a U2 show might not normally go to another concert all year. Because each time U2 go out on the road, they attempt to reinvent the rock experience, and each time they succeed. With the 360 tour, however, they produced one of the most extraordinary, one of the most extravagant live experiences in the history of rock ’n’roll, and one that is unlikely to be repeated on this scale again. The seven million people who saw it will never forget it.
‘I suppose in some sense a U2 tour is a little like a movie franchise,’ said Willie Williams, ‘where if you go and see the latest Bond you will expect that there will be that scene where they show you the gadgets and all that sort of thing, so similarly there’s an expectation that certain things and certain songs will be in the show. But then the audience always expects more, as do we.’
As Paul McGuinness described it, U2 was the equivalent of a football team that wins the World Cup not just this year but does it again four years later, and again four years after that, and again four years after that.
‘Biggest is something we’ve had for a while; best is something else, however ... In a way, good enough is easy to get to. Great is harder; maybe not every day, but I think they are clearly the greatest rock and roll band of the day, and of the age, and maybe of all time. And the longevity of the group produces commercial ambition to do great shows, great recordings, and better things than they’ve done before...
‘There was a guy we met once in the eighties – Bobby Colomby – who was the drummer in Blood, Sweat and Tears and he later went on to have a successful career as an A&R man and also as a TV personality in Los Angeles. He introduced Bono and Adam once for a television show in the early eighties in Los Angeles. After the interview he said, “Do you mind waiting for another minute? I’ve got something personal to say to you, not on camera.” And we all thought, “Oh shit, he’s a religious nut; what is it going to be?” And he said, “I was in a big band myself once and I loved it, and not ashamed to say that, but I’m saying this to you now because I think you can benefit from it. Try to enjoy every moment of it, because it won’t last forever; every time there’s a limousine or an enthusiastic audience, just remember that it doesn’t go on forever, and relish it.” It sounded like the truth, so we tried to observe that. So for a few years whenever somebody might mention the limousine’s late or something, we’d say, “Bobby Colomby!” And we’d think of Bobby.’





By common consensus the best gigs of the tour were the Spanish and South American ones that had the feistiest, most expectant crowds. In those parts of the world the audience really does come to be part of a communal event, rather than just to come and ‘see a show’. ‘I would say South America,’ said Adam. ‘The other ones I remember for pure determination were the ones where we had torrential rain – Zurich, Brussels, and one of the Austrian ones where we just had insane rain. The audience, they didn’t give up on it, they stayed there and they went right to the end of the show. I think every crowd is slightly different depending on what their cultural touchstone is and what their experiences are. I think American audiences are very familiar with the pace and the language of the concert; they understand the beginning, middle and end, they understand the narrative. And because they see a lot of shows, they go to a show a week in the summer or a show a week in college, they don’t ever go manic. They’re fairly well educated, if you like, in terms of the concert. When you go into places like South America where you might get one big show like us through every two years, they must see a concert that a lot of people turn out to as a cultural event. In South America, as soon as you get on stage, it’s like lighting gunpowder.’
After the (Montreal) show, Bono, Ali and I took a helicopter back to Guy Laliberté’s house, twenty-three kilometres east of Montreal, in Mont Saint-Bruno, in the beautiful Monteregian Hills.  The tour was coming to an end, and Bono was in a typically reflective mood (it comes naturally). How did he feel about this tour of tours?
‘Many of these people on the tour have been with us for thirty years,’ he said. ‘And I can assure you it’s not sentimentality – we don’t keep people because they’re old friends. All these people are the very best at what they do. We want it to be good for them too. We don’t want to let them down.’
And it is so very obviously a community. There might only be four stars above the parapet, but having dropped in and out of the tour for two years, it was impossible to imagine the 360 tour as anything other than a kind of benign circus, with everyone working for the common good.
‘My mother’s family was so big and so joyous, and that sense of community has stayed with me all my life,’ said Bono. ‘They were so inclusive. With everybody. I remember being in this old railway carriage that was on the dunes in north Dublin, and everyone singing. And I remember when community disappeared from our family, when people left, and I remember thinking, this is bad, this is not as much fun. Community is so important, and I suppose we look on everyone who works with us as family, and as a way of not being corporate.
‘We keep this community going because we are a family. If we were Jamaican nobody would question the way we operate. Oh yeah, they make this kind of spiritual music, a bit political, they all hang out together. Yeah, got it. But then I suppose there’s always been a Jamaican vibe to a lot of what the Irish get up to. I’m sure Joe O’Herlihy’s Jamaican. His accent is totally Jamaican. Lots of one, two, trees and t’ing. He’s the blackest Irishman I’ve ever met.
‘This band is about joy, it’s about community, it’s about loyalty. And it’s very powerful to be with the same people for such a long time.’
In Chicago Bono had celebrated the city’s ‘majestic skyline’, as well as the audience: ‘We’re the wind in the windy city. When you put this band with this crowd, there is no room for modesty. Anything is possible.’ 
It was a sentiment that almost everyone on the tour appeared to share. With U2, anything really did seem possible. Which begged the question: what in the world were they going to do next? Would there ever be a more extravagant tour? There was a feeling amongst the touring party that, enormously proud though they were of their achievement, a further extravagance might be too much, and that anything bigger than this might be impolite and self-aggrandising. Paul McGuinness was already arranging to sell the Claws as permanent event space around the world (‘Six million a piece, free assembly, postage and packing!’), and there was an unspoken assumption that nothing of its type, or size would ever be built again. Not by anyone. Arthur Fogel actually thought the next U2 tour would be a lot less stressful than 360, principally because it almost has to be less ambitious.
 ‘Personally I think the encore is going to be easier,’ he told me. ‘I think that the pressure was much greater to bring this home as an ultimate success. Now that they have done it, it opens up a whole realm of possibilities in terms of what to do next.’





Tuesday, March 19, 2013

Bono pays a visit to British PM at 10 Downing Street

Bono arrives at Downing Street


HE’S more used to No1 than No10, but Bono sure knew the name of the street he was on yesterday.


The U2 rock legend paid a visit to 10 Downing Street in central London — home of British Prime Minister David Cameron.

It’s not known why the singer was calling on the leader of the Tory party.


 http://www.thesun.co.uk/

Glaoch - The President's Call

At the President’s invitation, some of Ireland’s and the world’s renowned writers, musicians and singers, gather at the home of the President of Ireland to make a special programme dedicated to Irish people worldwide. Featuring Bono, Séamus Heaney and Christy Moore with music performances from Glen Hansard, Lisa Hannigan, Imelda May and The Script.




http://www.youtube.com/user/rte?feature=watch