Friday, February 13, 2009

Random U2 Quote

"If a U2 show is going askew, as it can, the one song you can rely on to get that room back is 'Where the Streets Have No Name.'" Bono, 2004

Third single of "The Joshua Tree" album m(1987) is a powerful song and it became a staple of live shows. Its inaugural performance 2 April 1987 in Temple, Arizona.

Bono was inspired to write the lyrics by the notion that it's possible to identify a person's religion by the street on which they lived, particularly in Belfast and also their income depending upon the part of the street. The song's signature is Edge´s repeating guitar arpeggio using a delay effect that is played at the beginning and end of the song; Adam´s bass lines are also to be mentioned.

In Rolling Stone (issue 1054), the song was ranked 28th in the list of the "100 Greatest Guitar Songs of All Time."

In a 1987 interview,Bono said of the song:

"Where the Streets Have No Name is more like the U2 of old than any of the other songs on the LP, because it’s a sketch - I was just trying to sketch a location, maybe a spiritual location, maybe a romantic location. I was trying to sketch a feeling. I often feel very claustrophobic in a city, a feeling of wanting to break out of that city and a feeling of wanting to go somewhere where the values of the city and the values of our society don’t hold you down. An interesting story that someone told me once is that in Belfast, by what street someone lives on you can tell not only their religion but tell how much money they’re making - literally by which side of the road they live on, because the further up the hill the more expensive the houses become. You can almost tell what the people are earning by the name of the street they live on and what side of that street they live on. That said something to me, and so I started writing about a place where the streets have no name.

This is one of the most powerful performances at Slane Castle.


The original video was directed by Meiert Avis. The song was performed to playback on the rooftop of the Republic Liquor Store at East 7th Street and South Main Street in Los Angeles on 27 March 1987. The scenes including the police shutting the video down due to traffic concerns are real, although the video was edited and heavily overdubbed to make it appear the band defied the police and kept on filming the video. In reality they stopped performing upon being ordered to do so. In 1988, the music video won a Grammy for "Best Performance Music Video".

Thursday, February 12, 2009

Open letter from Bono


Elle magazine asked Bono to write an article for the magazine (RED) special edtion. On the cover, the Brazilian supermodel Gisele Bundchen.

The Real Deal, An open letter from Bono

ELLE asked me to turn this page (RED) to honor the fact that women are at the vanguard of a movement to stop the greatest health crisis in 600 years: HIV/AIDS. First off, I want to ask you, Why is it that women are much less willing than men to accept a world where 5,500 people a day die from a preventable, treatable disease? Could it have something to do with that second X chromosome? Do we men have some gene that makes us look the other way—that gives us a penis but no conscience?
Me, I don’t believe in biological destiny. I think women care more because women bear more of the burden. Almost two thirds of Africans with AIDS are women. In South Africa, nearly 90 percent of new infections occurred in 15-to-24-year-old females. (I can’t get my head around that fact, let alone get it out of my head.) I could fill this whole page with such numbers… but while statistics paint a picture, they don’t tell a story. So here goes.

Six years ago, I was traveling across Africa. AIDS at that time and place was a death sentence, taking out not just the youngest and oldest, who are always more vulnerable to disease, but also those in the prime of their lives—parents and others with important jobs to do. Communities were being stripped of teachers, doctors, nurses, farmers, businesspeople, builders— their workforce, their life force. In the worst hit parts of Uganda, nine-year-old girls were left in charge of raising their younger brothers and sisters. Orphans raising orphans. In the twenty-first century.

The rest of the world made sympathetic noises—but did little more than that. Meanwhile, African AIDS activists were doing everything they could to stop the spread of the virus. During my trip, we met with a group in Johannesburg to see how we could support their work. One of the most surreal moments in my life—and there have been a few—took place in a canteen with 20 people, all of them HIV-positive, who spent every hour of every day traveling from place to place to warn of the dangers of HIV. These volunteers explained how the stigma of the disease puts people off getting tested, but the workshops they were doing at schools, businesses, and street corners were having a big impact. It was compelling stuff. The rest of us felt energized, uplifted.

Then, at the end of our meeting, I overheard a quiet debate among the activists as to which of them would get the single course of antiretroviral therapy (ARVs) they’d just received. There were not enough life-saving pills to go round. And so, together, they had to decide who would get the pills and who would go without.

I was stunned. These volunteers were doing their best to save others’ lives—but could not save their own. Like firefighters rushing into a burning building and being consumed by the flames.

Our science and technology, it turned out, were more advanced than our conscience. We in the West had the means to save lives, but we lacked the resolve.

What can we do? Well, the short answer is: a lot. At the time of that trip, only 50,000 Africans had access to ARVs. That figure today is 2.1 million. That’s because a lot of people have been doing a lot of things, in Africa and all over the world. In the face of the AIDS emergency, we’ve got to gang up on the problem.

Which brings me, improbably, to shopping. Not everybody is able to march to the barricades—not everybody owns a pair of proper military boots—but there’s something you can do even in Manolos. (RED) is the consumer wing of a much wider movement of activists, and consumers have more power than they realize. They have power in their pockets. (RED) raises money for the Global Fund to Fight AIDS—$120 million so far. That is enough to buy drugs for more than 750,000 people for a year. (RED) funds prevention and counseling programs as well as treatment, and is now the thirteenth biggest contributor to the Global Fund; it’s giving more than many countries.

The money comes from corporations doing the right thing—the (RED) thing. Some call it “conscious consumerism.” The companies involved don’t mark up their products to get you to pay a premium. They take a piece of the profits from every (RED) thing you buy, and they use it to buy lifesaving medication for those who can’t afford it. (RED) meets consumers on the main street, on the high street, in the malls, online—and in magazines like this one. Some of the coolest brands have signed up, and depending on where you live, you can drink (RED), wear (RED), talk (RED), type (RED), and work (RED). You can also hear (RED)—through (RED)Wire, our subscription music service.

As I said, it’s just one flank of a much bigger army, but the (RED) brigade is pretty impressive. We have some amazing women involved—Scarlett Johansson, Gisele Bündchen, Christy Turlington, Penélope Cruz, Julia Roberts, Alicia Keys, and Jennifer Garner. And some men who aren’t bad, either—Kanye West, Djimon Hounsou, Chris Rock, and the great Steven Spielberg. Then there are the millions of men
and women whose names we don’t know, but whose (RED) purchases are doing nothing less than keeping people alive.

I come from a line of traveling salesmen on my mother’s side. One of them, my Uncle Jack, always told me that when you’re making your pitch don’t get the door slammed in your face. I know I’m in danger of that right now. These are tough times for a hard sell, hard to talk about shopping when everybody’s belt-tightening. Everyone is more conscious than ever about where they spend their hard-earned cash. (RED) is not asking you to flock to the stores for the sake of it. But if you find yourselves browsing, we are asking you to choose (RED) where you can—for the sake of those who can’t ask you themselves.

source:www.elle.com/Entertainment/Music/The-Real-Deal

Wednesday, February 11, 2009

More news about NLOTH



A couple of pieces of news about U2´s new music. First,the official commercial of GOYB was launched yesterday:



And then we come to know that in RTÉ 2XM tomorrow (Feb. 12) at 12 midday(Irish time) as the station plays the worldwide exclusive of the title track from the new U2 album No Line on the Horizon.
U2's twelfth studio album No Line on the Horizon is due to be released on Friday 27 February in Ireland, Monday 2 March in the rest of Europe and a day later in North America.


Finally (for the moment) the singles will have a collector set box.






source:www.rte.ie/digitalradio
// www.U2.com

Berlin Got Loud!



Last night was the premiere of "It Might Get Loud", the documentary that shows "three guitar virtuosos" of different generations,Jimmy Page, The Edge and Jack White to influential locations of their pasts in the 59th Berlin Internationl Film Festival
Edge and Adam were at The Berlinale, one of Europe's major film festivals, for the screening of the Davis Guggenheim directed documentary.

Audiences get up close and personal, discovering how a furniture upholsterer from Detroit, a studio musician and painter from London and a seventeen-year-old Dublin schoolboy, each used the electric guitar to develop their unique sound and rise to the pantheon of superstar ...'

"It's not just about the technical side or the music,' says Edge, 'But the personal journeys that have brought the three of us to doing what we do.'




For more info on the film:http://itmightgetloud.com/info.html
"It Might Get Loud" info ,Berlinale Programme: http://www.berlinale.de/en/programm/berlinale_programm/datenblatt.php?film_id=20090881


source:www.U2.com/http://www.u2gigs.com/tourpictures

Monday, February 9, 2009

Fez and U2

The Observer Music Monthly's Sean O'Hagan spent 18 months following U2, from Fez to Dublin, as they recorded their new album New Line On The Horizon.
This is part one of their world exclusive film which captures the band beginning sessions in a converted riad.

Shirley Halperin from Rolling Stone wrote:

For the new U2 record, No Line On The Horizon (due March 3rd), Bono had a spiritual quest, says producer Daniel Lanois.

“He thought that our job was to create contemporary gospel music,” Lanois, who shares production credit on the album with Brian Eno, told Rock Daily at a Grammy Foundation event honoring music photographers Danny Clinch, Robert Knight and Herman Leonard. “Bono wanted to be at a spiritual Mecca.”

Which, for the band, meant an extended stay in Fez, Morocco (their second visit to the country — U2’s 1991 video for “Mysterious Ways” was also filmed there). So did he find what he was looking for?

New single “Get On Your Boots” offers some clues, but Lanois filled us in on the bigger picture: “We worked in France, New York and London, but Bono felt that [Morocco] was the spiritual crossroads of the world right now, so we rented out an old Riad hotel and brought in all of our own equipment.”

The result, he said, is “incredibly innovative — a lovely blend of technology and hand-played instruments. It embraces the future, but still pays respect to tradition.”

And while the album, which was four years in the making (and recorded digitally throughout), has evolved since the band’s initial north African sojourn, it stayed true to their creative mission: “That we are essentially soul musicians that look for soul in what we do,” said Lanois.

“The expectations and dreams are still intact… and the president of the record company is singing like a bird!”








source: www.guardian.co.uk/theobserver/video//
www.rollingstone.com//u2jam.com/view/378/watch-u2-while-recording-nloth/

51st Grammy Award Ceremony Got on its Boots!!!

Bono ditched his shades for some heavy eyeliner as U2 rehearsed on the eve of their performance at the 51st Grammy Awards.

The Irish opened Sunday's show with a performance of its new single "Get On Your Boots." But after trying the song five times in rehearsal, Bono still wasn't happy with the sound. "Houston, we've got a problem," he said afterwards.

Wearing a black suit with a sparkling lapel and a T-shirt underneath, and with dark eye makeup in place of his trademark sunglasses, Bono began the song positioned behind the band on an elevated platform.

Behind the group, a video screen flashed alternately on lyrics and, during the chorus, a psychedelic swirl of colours.

U2 isn't nominated for any Grammy awards this year, but will release "No Line on the Horizon" on March 3.
With the phrase "The future is a big kiss" Bono started the other way dull 51st Grammy Award ceremony last Sunday. The Brits seemed to win it all, as showed it Coldplay, Adele and Robert Plant.



source: www.U2.com/www.thecanadianpress.com/

At last: Official Launching of GOYB


U2 have proved yet again that they’ve still got it with another amazing music video.Directed by French film-maker and artist Alex Courtes, it features the band performing in front of graphic images of everything from fighter jets and volcanoes to naked women and American flags.

The Edge explained: "The video is based around the idea that men have f***ed things up so badly, politically, economically and socially, that it's really time we handed things over to women.

"The finished video is brilliant. Alex really nailed it."

'Get On Your Boots' is directed by French film maker and artist Alex Courtes. Shot in London it features the band performing against complex graphic art designed by Courtes, who (with Martin Fougeral) directed the Grammy winning video for 'Vertigo'.

You can watch the entire video at: http://www.u2.com/news/index.php?mode=full&news_id=2300


source: u2.com