Showing posts with label Mandela. Show all posts
Showing posts with label Mandela. Show all posts

Monday, January 12, 2015

U2 Shows to Help Build the Nelson Mandela Children's Hospital



U2 has thrown its support behind the Legacy of Hope Foundation, a nonprofit organization aiding to bring one of Nelson Mandela's final wishes to fruition - the construction of the 5th dedicated children's hospital on the entire continent of Africa. The Nelson Mandela Children's Hospital will provide access to high-quality medical care for the children of Southern Africa, regardless of their ability to pay. This facility will have a profound, transformative effect on healthcare in the region. All members of U2, including Bono, a longtime ally and friend of Mr. Mandela and supporter of his charitable efforts, signed one of the Edge's acoustic guitars for Legacy of Hope. Bono, who was recently injured during a cycling accident in New York City, has been recuperating following surgery, but nevertheless still wanted to show his support. Prolific rock star Bono tagged the guitar with the inscription, "There's no them there's only us!"

When reached for comment, Eric Gast, CEO/Executive Producer of the Legacy of Hope Foundation, stated "We are truly honored that U2 would show their support with this wonderful gesture and I'm moved that Bono, in his current state, would have the resolve to help support Mr. Mandela's dream of free and accessible healthcare for the children of Southern Africa."

The Legacy of Hope Foundation has garnered the support of numerous artists, celebrities and distinguished civil rights leaders, some of whom serve on its Honorary Board, including Ruby Bridges, Christy Turlington Burns, Ed Burns, Viola Davis, Dame Judi Dench, Arun Gandhi, Whoopi Goldberg, Dr. Sanjay Gupta, Katherine Heigl, Sir Anthony Hopkins, Ashley Judd, Nicole Kidman, Larry King, Sir Ben Kingsley, Salma Hayek Pinault, Natalie Portman, Susan Sarandon, Octavia Spencer, Charlize Theron, Ben Vereen, Barbara Walters, Elie and Marion Wiesel, Her Highness Princess Dalal Al-Saud, and the late Dr. Maya Angelou.


For more information, please visit http://www.legacyofhope.org

Wednesday, February 26, 2014

'Ordinary Love' in Extraordinary Times


"We can't fall any further
If we can't feel ordinary love
And we can't reach any higher,
If we can't deal with ordinary love."

U2



To be a Mandela is to understand the longings of the South African people. That is the first thing I learned when I set out to portray Nelson Mandela, the new nation's founding leader and inspirational visionary, in Mandela: Long Walk To Freedom.

So when I saw Winnie Mandela last week, and she tells me that her nation is united in the hope that the song for that film, "Ordinary Love," is in that envelope on Academy Award night, I fully accept that truth.

"Ordinary Love" is no ordinary song, as President Mandela was no ordinary man. Everyone has a sense of who Mandela is -- be it his nobleness, his white hair, his calming yet commanding voice. It wasn't until I read the letters -- the personal and emotionally charged exchanges between Madiba and Winnie during his imprisonment that I gained a deeper understanding of the other side of Mandela: Mandela the vulnerable. Mandela the raw. Mandela, the man in love -- in love with one woman and in love with a nation.


2014-02-24-Idriselbawinniemandela2.jpg
Idris Elba with Winnie Mandela


"This song," Winnie said to me, "carries our thirst for freedom and peace and unity on its wings. A great voice like that of Nelson Mandela, is never silenced. "

To hear this song is to understand why some oppressors fear music as much as they fear their people's cries in the street. Music, such as that which U2 contributes to the world, and wrote for our film, can move mountains and continue our evolution towards freedom and unity. Through "Ordinary Love," Bono and U2 captured the passion of a yearning people.

And I think there may be another South African up above listening to the music and hearing his own voice being carried along in the joy that only music brings.


Idris Elba for The Hufftington Post


http://www.huffingtonpost.com/

Tuesday, February 25, 2014

U2 wants to avoid the 'esoteric' on new album, win an Oscar

U2



U2 is a band that is used to big statements, political activism and rallying behind a cause. This past weekend, however, the band's larger-than-life frontman Bono was talking about the band's late-career efforts to simplify. Well, that and also his desire to get his hands on the "little gold" that is an Academy Awards statuette.

Speaking by phone early Saturday from Washington, D.C., Bono described the band's 2009 effort "No Line on the Horizon" as "esoteric," and talked up the more human aspects of the group's Oscar-nominated song, "Ordinary Love." The latter, of course, was the occasion for the call, as with Oscar voting ending on Tuesday at 5 p.m. PST, the singer was in full campaign mode. 

"Pharrell is an exceptional talent, then you have a Disney phenom and Karen O is just mesmerizing," said Bono as he surveyed his Academy Awards competition.

"Ordinary Love," featured in The Weinstein Co.'s  biopic "Mandela: Long Walk to Freedom," will compete for the original song Oscar with Pharrell Williams' retro-soul "Happy" from "Despicable Me 2," the grand "Let it Go" from Disney's "Frozen" and Karen O's quiet and lonesome "The Moon Song" from "Her." 

Though U2 is one of rock 'n' roll's elite names, "Ordinary Love" faces rather stiff Oscar opponents. It arrives at the end of "Mandela: Long Walk to Freedom" and plays over a photo montage, not having the benefit of, say, an animated centerpiece in a movie musical sung to the impressive construction of a palatial ice palace. 

"All I can say is that we didn't phone this one in," Bono said. "A whole lot of our life is wrapped up in this song." 

To fans, "Ordinary Love" signaled an early glimpse at the Irish quartet's direction for a new album, one that is currently being worked on with electronic-focused producer Brian Burton, better known by his Danger Mouse stage name. For U2, a band that early on supported Nelson Mandela's anti-apartheid stance, it was a chance to echo the less-public aspects of the long imprisoned former South African president shown by Justin Chadwick's film.

"We don't know Nelson Mandela the father, the friend, the lover, the husband," said Bono. "I think that's where Justin succeeded. Early on in the film, you see him being physically violent to his girlfriend. You gasp. 'This is Nelson Mandela?' That's what makes his transformation so important."


As a song, "Ordinary Love" builds slowly, opening with a glimmer of sounds that briefly hint at a gospel choir and then fade into more wistful digital atmospheres. A ray of hope arrives in the form of a keyboard melody close to the 90-second mark. The full band eventually joins in, and Edge's guitar work provides the final emotional uplift after a soulful chorus.
The tone wouldn't have been out of place among the more spacious songs of "No Line on the Horizon." Bono said early drafts of the song were more literal in referencing Mandela's freedom from prison. Ultimately, however, he wanted the lyrical content to be more emotional and universal, which he decided after reading the love letters traded in prison between Mandela and his wife Winnie. 

"The love letters from prison are very touching," Bono said. "They're very heartbreaking. They gave me a clue as to the kind of language to use in the song. The melancholy was in there. The song has a gospel feeling, but it adds dimension. Like a lot of my favorite gospel songs, there's an ache to it. There's got to be a bit of blues for me."
While the Academy Awards are big business to Hollywood, for U2, who will perform on Sunday's show, the Oscar appearance is a very brief break from working on a new album, scheduled for release sometime in 2014. Like the upcoming album, U2 worked on "Ordinary Love" with Burton, who is credited as a producer and a contributor to the song's arrangement. 

Bono spoke of Burton as someone who is helping U2 streamline, both in content and in sound, and is encouraging the singer to avoid the big emotional payoff in his vocals and to instead stick closer to the melody.

"I have things I can do as a singer," said Bono. "I have a lot of things I can't do, but I have a few things I can. There's certain notes I can hit, which have an effect on people. Brian Burton is extremely suspicious of those notes. He's looking for melodies that are eternal rather than ones you feel in the moment. That's the most profound impact on us."
As an example, Bono spoke of the title track for "No Line on the Horizon." a song marked by its relatively vague lyrics, heavily processed rhythmic effects and somber snyths that whir in and out. Bono sings through gritted teeth, cutting right to the front of the adventurous arrangement. 

Don't, Bono said, expect the new album to sound like that song.

"The last album, I enjoyed it, but in ways it was quite esoteric," said Bono. "There were a lot of subjects. Writing a song about infinity? It's great that a band like U2 can get away with that, but I remember enough of being a teenager. The reason we joined U2 was to not go too far on the self-indulgent front. We had one foot in punk rock."
And that footing will be represented on the new work, but it won't, of course, be the album's sole influence. Bono referenced giants of punk rock and electronic music when talking up the as-yet-untitled album.

"The Ramones are part of who we are, as well as Kraftwerk. On this album, we're trying to have a clarity of thought, of purpose, of melody to folks. It's about discipline," he said.

One song, Bono said, even owed a little bit to the Clash circa 1977. The forebears of British punk, the Clash in that year were a mix of bravado and sincerity. The band's lyrics referenced the news of the day, and vocalist Joe Strummer was a charismatic force who manically worked the stage in an effort to preach to the unconverted.
"There's a song that I think will be on this album that's called 'This Is Where You Can Reach Me,' and we as a band went in 1977 to see the Clash and it turned our life upside down," said Bono. "I went home that night, and part of me never came home. The Clash were this extraordinary sight, the most extraordinary sound. It was an audio-visual assault and we were 16, 17 years old.

"There's awful progressive rock lurking around, but I have enough of a memory of 1977 to not surrender to it," Bono continued. "There were incredibly pure thoughts in music then. You knew what the song was about. You knew the melody. You knew the hook. We're going for a bit of that on the new album."

Just don't expect it anytime soon.

Those who saw U2 on its last stadium tour, the 360 Tour, may remember that some of the "No Line on the Horizon" songs drastically shifted in their live presentation. One such number was a techno-infused "I'll Go Crazy if I Don't Go Crazy Tonight," a song that's essentially a ballad on record.


"That always should have been a dance track," Bono said. "It worked great on the 360 Tour. Some songs turn into something different live, and that’s one of the reasons for the delays on this recent U2 album." 

Bono said the band has changed its studio approach and is trying every new song in multiple keys, different tempos and altered arrangements. If "I'll Go Crazy if I Don't Go Crazy Tonight" was vastly improved by being road-tested, Bono doesn't want that to happen again.
"We're trying to discover the thing you would find out after six months on the road. We want to get those changes in before we release the album."

http://www.latimes.com/

Monday, February 24, 2014

Oscars: Mandela Family Coming To The Academy Awards For U2 Performance

u2-ordinary-love

The Academy of Motion Picture Arts & Sciences have invited Nelson and Winnie Mandela‘s daughters Zindzi and Zenani to attend the Oscars where U2 will be performing the Academy  Award-nominated song, “Ordinary Love” from the film  Mandela: Long Walk To Freedom. Bono and U2 were personal friends of their father, and have been working in the Anti-Apartheid movement through their music since the late 1970s when the girls were only in their teens.
In a statement the girls said, “This is especially meaningful to us because of how much our father loved watching movies. This song was inspired by the beautiful letters that my father and mother exchanged while he was imprisoned at Robben Island.”

Meanwhile, the 45th annual NAACP Image Awards held tonight in Pasadena added a surprise tribute to the late South African leader with Oprah Winfrey leading the honors. Mandela star Idris Elba is set to join Winfrey in the tribute which will also include an appearance and performance by Stevie Wonder celebrating the late Mandela’s lifelong efforts in the name of freedom and equality. Elba will share a special message from Winnie Mandela acknowledging the Oscar-nominated song “Ordinary Love.”

http://www.deadline.com/

Saturday, February 22, 2014

LA-Italia Fest to Honor U2, Song 'Ordinary Love'

The acclaimed Irish rock band joins a star-studded guest list that includes David O. Russell and Steve Coogan.

Iconic Irish rock band U2 will be honored by the Los Angeles-Italia Film, Fashion and Art Festival, adding to an already star-studded guest list at the event, which gets underway Sunday in Los Angeles.

The nine-year-old festival, which mostly focuses on the achievements of Italian and Italian-American filmmakers and entertainers, said it would pay homage to the group for its song "Ordinary Love," part of the soundtrack for the Nelson Mandela biopic Mandela: Long Walk to Freedom. Actress Naomie Harris, who played Winnie Mandela in the film, will present the award.

The acceptance of the honor by U2 adds additional star power to the week-long event that already includes David O. Russell, director of ten-time Oscar-nominee American Hustle; Steve Coogan, writer, producer and star of Oscar-nominee Philomena; and a host of A-List Italian talents including filmmaker Roberto Faenza, acclaimed singer-songwriter Francesco De Gregori and choreographer Daniel Ezralow, who helped choreograph the opening ceremonies at the Sochi Olympics.

The event, which takes place at the TLC Chinese Theaters in Hollywood, is the last major event on the film calendar before the Oscars. It concludes March 1.

It was heard Bono was going to be present to accept the award.

http://www.hollywoodreporter.com/

Friday, February 21, 2014

U2 on the 'Ordinary Love' of Nelson Mandela (Video)




"We really related to what was going on in South Africa," Bono says of the Irish band, which first performed music protesting Apartheid back in the late 1970s, when he, The Edge, Adam Clayton and Larry Mullen, Jr. were still in their teens.



It will come as a surprise to many that the four members of U2 -- Bono (vocals and guitar), The Edge (guitar, keyboards and vocals), Adam Clayton (bass guitar) and Larry Mullen, Jr. (drums and percussion), who are nominated for the best original song Oscar for "Ordinary Love" in Mandela: Long Walk to Freedom -- have been writing and performing music about South Africa since the late 1970s, when they were still in their teens. 


"At a very early stage, we realized that there was more to music than just rocking out and that we could actually -- maybe -- make a small difference," Mullen said. Therefore, when the quartet -- which The Edge describes as "the essential high school band that just kept going" -- learned about Nelson Mandela and Apartheid, they decided to take action, playing a gig to protest the institutional segregation and discrimination taking place half a world away.


Why did they care? "We really related to what was going on in South Africa," Bono said. "Irish people are very aware of how the currents of politics -- indeed, global politics -- can affect their own life. For example, it's well known that our interest in developing economies around the world is because not long ago we were one. And we're interested in the fight against extreme poverty because we were on the other side of that. And we also understand famine -- it cost our country half its population."

After studying and traveling to Africa throughout the 1980s -- on fact-finding missions, to raise funds and awareness through music (see "The Sun City" album) and, in some cases (like Bono's), even to go on personal honeymoons -- the members of the band rejoiced when Mandela was freed from prison in 1990 and were delighted that he wished to meet and work with them in post-Apartheid South Africa.
The band, which was honored to know Mandela, soon became good friends with the South African leader, who saw how they could help him spread his call for peace and understanding. "He was a very sensitive fellow and, clearly, that sensitivity was what he used to dismantle Apartheid. It wasn't just the strength; it was the sensitivity," says Bono. The Edge adds: "We actually went with Mr. Mandela to see Robben Island when we were there, and just to see the cell that he lived in for so many years was really sobering, to realize that when he went in there he thought that he would never come out."


Last summer, Harvey Weinstein, another entertainment industry acquaintance of Mandela's and a friend of U2's since his days as a concert promoter in the early 1980s, approached the band and asked, on behalf of producer Anant Singh and director Justin Chadwick, if they would write an original song for inclusion in Mandela: Long Walk to Freedom, a big screen version of Mandela's own autobiography. They had not released original music in years -- from 2009 to 2011 they had been traveling the world for U2 360, the highest-grossing tour in history, and were finally making headway when Weinstein called with his offer, which they couldn't refuse. As The Edge puts it, "We had to take a deep breath because we realized it was actually gonna cause havoc in other areas of our work," but, he says, "It was one of those things [we] just had to do, you know, because of our connection there."
Singh sent Bono copies of love letters that Mandela had written to his wife Winnie when he was imprisoned. "To read his love letters is a real treat," the singer says. "You realize that this was a kind of extraordinary love, but actually, though extraordinary love is the subject of movies and books and novels and songs, perhaps the more important is ordinary love -- the simple things that people do... and that's what they couldn't do. They had this passion the size of their country, the size of their continent, but actually, when he left prison, they couldn't figure it out on just the ordinary, domestic front."


Consequently, the song that Bono wrote, which "was always to be at the end [of the film], after the scene where [Mandela] stands up and he walks out and the people who had been his enemy are saluting him" -- which the singer describes as "one of the greatest moments in the last century" -- was not the uplifting number that had originally been solicited, but rather an honest imagination of what Mandela might have been thinking in that moment, entitled "Ordinary Love." Bono explains, "He said he'd won most of his struggles -- [even] if it cost him 27 years of his life -- but he lost in love, he lost his wife, and it was of profound sadness to him. That's what we wanted in that moment, that, as he was walking out, there was still that ache of love lost."
The band emphasizes that Mandela's death on Dec. 5, 2013, less than a week after U2's single was first released to the public, does not bring an end to their relationship with South Africa. "We've had wonderful times in the country," says The Edge. "It is an absolutely beautiful country. I think this is a turning point, and, in his passing, Mr. Mandela has left it up to those who have some kind of stake in his legacy to step up and really insure that all of the great work that he's done doesn't go to waste. And we're certainly willing to do whatever we can."

Scott Feinberg for The Hollywood Reporter 


http://www.hollywoodreporter.com/

Saturday, February 15, 2014

Bono with Piers Morgan


After the Oscar Nominations Luncheon , Bono was interviewed by Piers Morgan for his programme "Piers Morgan Live" at CNN.

Should U2 win the Best Original Song Oscar for “Ordinary Love", the "Mandela: Long Walk to Freedom" anthem, it’ll be the man around whom the biopic is centered that the frontman will be most thankful for.

In a Friday evening interview with Piers Morgan, U2 frontman Bono says the song helps depict an often unseen, overshadowed perspective that many close to the South African leader knew—his romantic side:

“I've been working for him since I was a teenager; so have the members of U2,” said Bono. “He's kind of taught the world some serious lessons, but taught us some personal lessons.”

Leadership, “the most precious thing we have and the rarest,” was one such lesson Bono says Mandela preached:

“You look in the Arab Spring and you look in - in Syria now and you just think, ‘Oh, my God. Where - who's going to lead these people out of this mess and where will that grace come from?’”

U2's forthcoming Oscar's performance will mark the band's first live performance of the song since its recording.




http://piersmorgan.blogs.cnn.com/

Thursday, January 16, 2014

"Ordinary Love" Nominated for Oscar Awards

Oscars Best Original Song

Oscar nominees for Best Original Song were announced on Thursday (Jan. 16) morning. Nominees include "Alone Yet Not Alone" ("Alone Yet Not Alone"), "Happy" ("Despicable Me 2"), "Ordinary Love" ("Mandela: Long Walk To Freedom"), "Let It Go" ("Frozen") and "The Moon Song" ("Her").

U2 and Danger Mouse return with their Golden Globe winning tune, "Ordinary Love" from "Mandela: Long Walk to Freedom," which beat out the likes of Coldplay's "Atlas" from "The Hunger Games: Catching Fire" and Kristen Anderson-Lopez and Robert Lopez's "Let It Go" from "Frozen" at this past weekend's awards ceremony.
The Academy Awards will be hosted by Ellen DeGeneres on March 2. The ceremony airs on ABC.

http://www.huffingtonpost.com
http://oscar.go.com



Saturday, January 11, 2014

Oscars: U2 Writes One From The Heart For Nelson Mandela; Interview With Bono And The Edge

Bono and Edge were interviewed by Pete Hammond  for Deadline. 

Although there was plenty of star wattage at the 25th Palm Springs International Film Festival CN8A9095 there was even more electricity than usual because some genuine rock royalty was in attendance. U2′s Bono and The Edge were on hand to accept the Sonny Bono Visionary Award, which acknowledged their major humanitarian work as well as their iconic musical contributions to the world.  The award was well-timed as, like the rest of the honorees, they also have a song that is making waves this awards season. And it’s a very personal one. The band, and particularly Bono, had a long friendship with Nelson Mandela — who died December 5 — and their work in the anti-apartheid movement goes back to their beginnings as a band in the 1970s. And now they have written a song, “Ordinary Love”  for the film of his life story,Mandela: Long Walk To Freedom. The Weinstein Company is hoping it will get the Oscar recognition that has eluded U2 before. They currently have a Golden Globe nomination for it, their sixth, with one win for 2002′s “The Hands That Built America” from Gangs Of New York. 

CN8A9205

Deadline: You’ve written for many movies before, but what made this one so special — particularly with the pressure of writing about someone like Nelson Mandela?
Bono: You don’t want to let him down. Our first thought when they asked us was, “Can we do it?” We had some time, but it meant putting our album back a bit, and there was some worry with the management about that. But it’s one of those things you can’t turn down, actually. And although there were some butterflies and a little bit of nausea, we just felt we had to do it, but not to blow it.  We thought they would probably want a big anthem or one of those political songs. That just felt too obvious for us. But we were so surprised to discover that the film, as well as being a big historical drama that it has to be, is made much more interesting by being a love story — a very complicated love story, but a love story.

The Edge: And that’s the emotional part that we picked up as we saw the film. We realized that while politics were, and are , so important and couldn’t be more relevant it was that human part of the story where the film went. So we followed it and it made perfect sense from an emotional point of view to follow their relationship.

Deadline:  You’ve said the title “Ordinary Love” works on a couple of levels.
Bono: Even when he started out his own political life as an armed insurrection it was never his first choice,deb9f9efc56ef2a940bdf0d58ccaad5c_XL and when he saw it up close, the ugliness of it and when he saw what it did to the people who committed the violence, he fought against his own party, against the ANC, against his best friends, to make peace. He didn’t want to become a monster to defeat a monster, and so “Ordinary Love” is also an appeal to South Africa. So it works in the personal and it works in the political. That’s why we took it in the central image of the song. The rest of the lyrics were inspired by the letters of Nelson to Winnie Mandela. Anant Singh , the producer, sent them to me. And reading them the language is so beautifully archaic. He’s such a gentlemen. He talks about kissing her photograph in the prison cell. He talks in a very tender way to her. Very old school. And clearly words meant a lot to him. And indeed in my own conversations with him over the years he would always talk about writers. He loved the Irish writers, George Bernard Shaw; he loved the Anglo-Irish literary renaissance. He had the complete works of William Shakespeare smuggled to him in his prison cell in a Koran. They were only allowed religious books. The idea of Shakespeare coming in like a drug deal (laughs). … This film is about two transformations: his from a badass to this global statesman  and Winnie’s from this very sweet girl to a bit of a monster. And Winnie came to the premiere in South Africa and stood by Naomie Harris’ portrayal of her because it was truthful. I think she’s an extraordinary woman. But it’s two transformations that are the inverse of each other.
The Edge: And obviously the other take away for me from the movie is this supernatural ability to forgive that hetdsdc5-6dfxpodn6e1wb63hmry_originalhad and the wisdom to know that the only possible way forward for South Africa  was truth and reconciliation, not vengeance. There’s  that great quote of his: “I want vengeance too, but I want a country that my children can live in more.” That’s the important thing here. That level of insight and wisdom came to him during those years in prison and by reading extensively and pondering the situation and doing it in a very cool headed way.
Deadline: Do you like writing for film?
Bono: It’s a holiday from the first-person for me. We really like writing for other people for the same reason. I remember writing for Willie Nelson and Roy Orbison. It’s so wonderful to get out of your own head.
The Edge: To take a love song is easier as well. Suddenly you’ve got an inspiration that is fresh. We always approach it the same way, to take the emotional core and fleshing it out from there.
Bono: And to try and make it a love song to the South African landscape as well. It really is the most extraordinarily beautiful place on earth. (Recites)  “The sea wants to kiss the golden shore/The sunlight warms your skin/All the beauty that’s been lost before/Wants to find us again/I can’t fight you anymore/It’s you I’m fighting For/The sea throws rock together/But time leaves us polished stones/We can’t reach any higher/If we can’t deal with ordinary love.
Deadline: Harvey Weinstein was once your promoter. How persuasive was he in making this all happen?
Bono: He is a very hard man to turn down. And it was family time in our house. We have very strict rules mandelaabout having family time and I was sneaking out on my family to work on the song. And then Harvey actually arrives while we were on holiday in France. He says, “So where’s the song?” He arrives in the house! And I said to him, “We need a few more weeks; this is one we can’t blow.” And to be fair to Harvey, he said, ‘OK, I will tell them they just have to wait.” So he broke all the rules for us. … We just wanted to make it a very emotional moment to bring people back to the heart of the film, which is a human heart. That’s more complicated than any political situation.
Deadline: How difficult has it been to promote the song since his death came just as the movie had opened?
Bono:  It’s No. 1 in about 15 countries without any promotion. We can’t really go out and launch it, though. It’s interesting because you want to go out and shout from the rooftops if you’ve got one of these tunes. They don’t come all the time. But we can’t.
The Edge: To me it’s just so amazing how things worked out. It’s almost to me that Madiba stage managed this entire thing. You think about this film that is coming out on his life. He was so aware of the delicacy of what’s  going on in South Africa. You couldn’t tee up a better way to spotlight his politics and his legacy and focus the world’s attention  on what he’s achieved politically in South Africa. That is the best way to pave a way for the  future.
Bono: It was almost like  perfect timing in a way.



Wednesday, January 8, 2014

Bono and The Edge At "Ordinary Love" Party

U2 Event Exclusive - P 2014
Bono, Naomie Harris and The Edge

Bono and The Edge paid tribute to Nelson Mandela on Monday night at an intimate gathering honoring the duo at the Sunset Marquis.

'Mandela' Screening: U2, Filmmakers Talk Creating Original Song 'Ordinary Love'
Bono wrote the song "Ordinary Love" -- U2's first song in three years -- for The Weinstein Co.'s Mandela: Long Walk to Freedom, starring Idris Elba as the former South African president, who died last month at age 95.

The song is about two people trying to stay together while dealing with personal and political struggles. Bono said that when he was writing the song, he was inspired by the love letters that Mandela sent to his wife, Winnie, while he was imprisoned on Robben Island. Mandela producer Anant Singh sent the letters to the singer.

"It didn’t feel appropriate to write an anthem for this movie," Bono said. "We found a theme of common decency that inspired us, and it’s a plea for a common decency in a marriage."

U2 also had a close relationship with Mandela and performed at anti-apartheid shows early in their career.

Among those turning out for Monday's event were director Jim Sheridan, Mandela star Naomie Harris and music industry veterans Alexandre Desplat, David Foster, Mike Stoller, Rod McKuen, Mark McKenzie, Brian Tyler and songwriter Diane Warren.

http://www.hollywoodreporter.com

Monday, December 16, 2013

Ordinary Love (Paul Epworth Version)


Bono was in South Africa this week, to join those paying tribute to Nelson Mandela at Tuesday's memorial service.

'In Ireland,' he says, 'A wake is never without humour but it's fair to say we lean heavily on the melancholy… one thing I love about Africa is they accompany the departed with dancing, lots of it, and music full of joy.'

On Thursday, 'Ordinary Love', the song the band wrote for 'Mandela:Long Walk To Freedom', was nominated for a Golden Globe Award and today the band wanted to share Paul Epworth's new version.

'We think Paul Epworth's mix is a very soulful, uplifting one and we hope our audience will agree,' says Bono. 'Nelson Mandela's life and times meant more to me than I can ever tell you, I would need a hundred songs to do that… but this complicated little love song to Winnie and South Africa is the one that landed on our lap.

'I want to thank the Hollywood Foreign Press for believing in us and the film. This is truly a great honour.' 


Thursday, December 12, 2013

Bono and Ali pay respects to Mandela

Bono and Ali pass by the coffin

Bono and wife Ali Hewson were among mourners that filed past the body of Nelson Mandela, as he lies in state for three days.

Dressed in all black, The U2 singer was pictured holding the hands of his wife Ali and also of Zelda le Grange, the former assistant to Mr Mandela, as they walked past the casket of the former South African president.

Mandela’s coffin is currently outside the Union Buildings in Pretoria where it will lie in state for three days.

The coffin lay within a temporary mahogany structure in the open-air amphitheater with his head and shoulders visible behind a glass cover.

The first to file past his body were South African President Jacob Zuma, Mandela's wife Graca Machel and former wife Winnie Madikizela-Mandela and F.W. de Klerk, the nation's last white leader who shared the 1993 Nobel Peace Prize with Mandela.

"I want my child to know Mandela has fought for her," Cynthia Shipalana, 27, said as she waited in line with her six- year-old daughter. "She should see him and tell her grandchildren about this day."

The government expects as many as 2,000 people an hour to file past Mandela's casket.

His body will be transported on Dec. 14 to Qunu, the village where he spent part of his childhood in the Eastern Cape Province, before his funeral the next day.



http://www.sundayworld.com

Tuesday, December 10, 2013

Bono: "Mandela was a lesson in humility"

Bono in an interview with Anderson Cooper describes Nelson Mandela as a “lesson in humility”.

He also talks about Archbishop Desmond Tutu, “The Arch”.




http://www.youtube.com/user/CNNInternational

Bono arrives at Mandela's funeral








Nelson Rolihlahla Mandela (18 July 1918 – 5 December 2013)R.I.P.



Sunday, December 8, 2013

U2 on Mandela for French TV

Veuillez installer Flash Player pour lire la vidéo



Bono and The Edge speak about the death of their friend Madiba in New York .


http://www.canalplus.fr

Thursday, December 5, 2013

"Love Rather Than Hate..."

Nelson Rolihlahla Mandela ("Madiba" or "Tata") passed away this 5th December in Johannesburg, South Africa.


Bono remembers Nelson Mandela.

"It was as if he was born to teach the age a lesson in humility, in humour and above all else in patience.  In the end, Nelson Mandela showed us how to love rather than hate, not because he had never surrendered to rage or violence, but because he learnt that love would do a better job.  Mandela played with the highest stakes.  He put his family, his country, his time, his life on the line, and he won most of these contests. Stubborn til the end for all the right reasons, it felt like he very nearly outstared his maker. Today, finally, he blinked. And some of us cry, knowing our eyes were opened to so much because of him."

As an activist I have pretty much been doing what Nelson Mandela tells me since I was a teenager. He has been a forceful presence in my life going back to 1979, when U2 made its first anti-apartheid effort. And he’s been a big part of the Irish consciousness even longer than that. Irish people related all too easily to the subjugation of ethnic majorities. From our point of view, the question as to how bloody South Africa would have to get on its long road to freedom was not abstract.

Over the years we became friends. I, like everyone else, was mesmerized by his deft maneuvering as leader of South Africa. His cabinet appointments of Trevor Manuel and Kadar Asmal were intuitive and ballsy. His partnership with Sowetan neighbor Desmond Tutu brought me untold joy. This double act—and before long a triple act that included Mandela’s wife, the bold and beautiful Graca Machel—took the success of the anti-apartheid fight in South Africa and widened the scope to include the battle against AIDS and the broader reach for dignity by the poorest peoples on the planet.

Mandela saw extreme poverty as a manifestation of the same struggle. “Millions of people … are trapped in the prison of poverty. It is time to set them free,” he said in 2005. “Like slavery and apartheid, poverty is not natural. It is man-made and it can be overcome … Sometimes it falls on a generation to be great. You can be that great generation.” It certainly fell to Mandela to be great. His role in the movement against extreme poverty was critical. He worked for a deeper debt cancellation, for a doubling of international assistance across sub-Saharan Africa, for trade and private investment and transparency to fight corruption. Without his leadership, would the world over the past decade have increased the number of people on AIDS medication to 9.7 million and decreased child deaths by 2.7 million a year? Without Mandela, would Africa be experiencing its best decade of growth and poverty reduction? His indispensability can’t be proved with math and metrics, but I know what I believe …

Mandela would be remembered as a remarkable man just for what happened—and didn’t happen—in South Africa’s transition. But more than anyone, it was he who rebooted the idea of Africa from a continent in chaos to a much more romantic view, one in keeping with the majesty of the landscape and the nobility of even its poorer inhabitants. He was also a hardheaded realist, as his economic policy demonstrated. To him, principles and pragmatism were not foes; they went hand in hand. He was an idealist without -naiveté, a compromiser without being compromised.

Surely the refrain “Africa rising” should be attributed to Madiba—the clan name everyone knows him by. He never doubted that his continent would triumph in the 21st century: “We are not just the peoples with the oldest history,” he told me. “We have the brightest future.” He knew Africa was rich with oil, gas, minerals, land and, above all, people. But he also knew that “because of our colonial past, Africans still don’t quite believe these precious things belong to them.” Laughing, he added, “They can find enough people north of the equator who agree with them.”

He had humor and humility in his bearing, and he was smarter and funnier than the parade of world leaders who flocked to see him. He would bait his guests: “What would a powerful man like you want with an old revolutionary like me?”

He could charm the birds off the trees—and cash right out of wallets. He told me once how Margaret Thatcher had personally donated £20,000 to his foundation. “How did you do that?” I gasped. The Iron Lady, who was famously frugal, kept a tight grip on her purse. “I asked,” he said with a laugh. “You’ll never get what you want if you don’t ask.” Then he lowered his voice conspiratorially and said her donation had nauseated some of his cohorts. “Didn’t she try to squash our movement?” they complained. His response: “Didn’t De Klerk crush our people like flies? And I’m having tea with him next week … He’ll be getting the bill.” (On other occasions, I heard Mandela praise the courage of F.W. de Klerk, the last President of apartheid South Africa, who had his own prison to escape: the prejudice of his upbringing. We should not forget his role in this historic drama).

Mandela lived a life without sanctimony. You try it; it’s not easy. His lack of piety helped him turn former foes into friends. In 1985, U2 and Bruce Springsteen responded to Steve Van Zandt’s call to lend our voices to an artists-against-apartheid recording titled “Sun City.” Sun City had been set up on the border of Botswana to bypass the cultural boycott of South Africa. Sol Kerzner’s casino there had become a pretty busy venue. Years later, when I chastised the music producer Quincy Jones about his friendship with Kerzner, Quincy replied, “Man, you know nothing about Mandela, do you? He wasn’t out of jail seven days before he called Sol Kerzner. Since then, Sol has been one of the largest contributors to the [African National Congress].” I felt like one of those Japanese soldiers who came out of the jungle in the 1950s still fighting World War II.

Laughter, not tears, was Madiba’s preferred way—-except on one occasion when I saw him almost choke up. It was on Robben Island, in the courtyard outside the cell in which he had spent 18 of his 27 years in prison. He was explaining why he’d decided to use his inmate’s number, 46664, to rally a response to the AIDS pandemic claiming so many African lives. One of his cellmates told me that the price Mandela paid for working in the limestone mine was not bitterness or even the blindness that can result from being around the bright white reflection day after day. Mandela could still see, but the dust damage to his tear ducts had left him unable to cry. For all this man’s farsightedness and vision, he could not produce tears in a moment of self-doubt or grief.

He had surgery in 1994 to put this right. Now, he could cry.

Today, we can.




Tuesday, December 3, 2013

Bono and The Edge Talk about "Ordinary Love"

Bono and The Edge talk about "Ordinary Love" at the premiere of "Mandela: Long Walk to Freedom"





http://thesource.com/

"Ordinay Love" by Rolling Stone



U2's return starts like funky church–synth-choir hosanna and the gentle hammering of electric piano – and rolls with steady, compelling restraint. Bono fires a few bolts of falsetto in the chorus, and the Edge's terse guitar break suggests the ring of a wounded church bell. But "Ordinary Love" is about the seeds of dreams, and U2 play it perfectly: down-to-earth, while looking up.

Friday, November 29, 2013

U2 Explain Their ‘Complicated Love Song’ For ‘Mandela: Long Walk to Freedom’


Ireland and South Africa came together when the biopic “Mandela: Long Walk to Freedom” held a screening at the Ziegfeld Theater in New York City co-hosted by the Irish rock band U2. Among the notable people in attendance were Idris Elba (who stars as South African leader Nelson Mandela), Naomie Harris (who plays his wife Winnie), producer Harvey Weinstein (a co-host of the evening), Vogue editor Anna Wintour (another co-host), and U2 members Bono, The Edge, Adam Clayton, and Larry Mullen, Jr.

Speakeasy talked to U2 shortly before the screening about the song they recorded for “Mandela” titled “Ordinary Love,” and about the group’s coming album. The Edge confirmed that a new U2 album is on the way, but said they had yet to pick a release date. The band’s sessions were interrupted by one of the few things that could have pulled them away–the chance to record a theme song for “Mandela.”




http://blogs.wsj.com