Wednesday, May 16, 2018

Why U2, Four Irishmen, Might Be America's Greatest Band Ever

Image may contain: 2 people, crowd and concert
15 May - Los Angeles, CA, USA / The Forum





The choice for best British band ever is pretty easy. Most will go with the Beatles. A few will argue for Led Zeppelin or Rolling Stones, but the Beatles are the consensus choice. However, best American band is a much harder debate. There are arguments for Aerosmith, Beach Boys, Grateful Dead, Velvet Underground (probably the most influential), the Ramones or some might make a case for Nirvana or Pearl Jam.

Here’s a thought, what if America’s greatest band of all time isn’t actually from America? What if it is four Irish guys who fell in love with America and have celebrated that ardor through songs for nearly four decades?

Watching U2’s masterful, nearly flawless two and a half hour performance at the first of two sold-out nights at Los Angeles’ Forum Tuesday, May 15 -- where they again paid tribute to Dr. Martin Luther King, as has been the case for 34 years, during the spine-tingling, goose bump-inducing “Pride (In The Name Of Love),” where they invoked the spirit of L.A. icon Jim Morrison, throwing in a snippet of “Alabama Song (Last Whisky Bar)” during a dazzling “Until The End Of The World” -- one thing that came through repeatedly throughout the night is their passion and belief in America still burns as deeply as their fervor for music, both awe-inspiring after nearly 40 years.


Certainly you’d be hard pressed to find any band that has championed or believes in the spirit and culture of America more than U2. Their most successful album, The Joshua Tree, is named after a desert in California, they reference jazz giant John Coltrane in “Angel Of Harlem,” a song named after the New York city, they have a song called “Elvis Presley And America,” they were nominated for an Oscar and won a Golden Globe for the 2003 song “The Hands That Built America,” from Martin Scorese’s Gangs Of New York.

In the song, Bono sings, “Oh my love/It’s a long way we’ve come/From the freckled hills/To the steel and glass canyons/...These are the hands that built America.”

What is clear from their music and their show at the Forum, where Bono repeatedly reminded fans, “This is America,” they fell in love with the American dream as Irish kids and still, even in these times where many born here are jaded and divided, they feel it is true. At one point, he powerfully spoke of how it is easier to be divided than united while encouraging us to have open eyes and open minds, “even if not open arms,” to those that stand in our way.

Of course without the songs to backup their ideals it means nothing. And this tour finds U2 at their musical best, exploring deeper cuts like “Until The End Of The World,” a stunning rendition of “Acrobat,” and a sublime acoustic “Staring At The Sun,” from what Bono called “The band’s psychedelic phase in the ‘90s.” What was also remarkable was how vital and potent early, early U2 songs “I Will Follow” and “Gloria” were. “Gloria” was a definite high point on a night filled with many of them.

Of the more recent songs, 2014’s “Iris (Hold Me Close),” a song Bono detailed being about his mother, was especially poignant. And Songs Of Experience’s lead single, “You’re The Best Thing About Me” was gorgeous and sweet done acoustically. Other standouts included a spectacular “One,” which began with Bono encouraging “Women Of The World To Take Over,” via a snippet of the Jim O’Rourke song, “Cedarwood Road” and “Love Is All We Have Left.”

Also particularly powerful in the new songs was “American Soul,” in which Bono declares, “It’s not a place to me/This country is, to me, a thought/That offers grace/For every welcome that is sought.” That U2 still feel that is possible and believe that in their musical soul 40 years after they first came here is why U2 could easily be America’s greatest band ever.

In U2’s America, the America we should all still believe in, the one that is open and welcoming, an America built on immigrants, there is not a damn reason in the world why four Irishmen who came here and love this country and believe in it couldn't be the best band we have to offer. It makes perfect sense in their America.


Steve Baltin 
https://www.forbes.com


Thursday, May 10, 2018

Wednesday, May 9, 2018

U2's Guitar Tech Dallas Schoo on the Band's Songwriting Process

Dallas Schoo has been the guitar technician for U2 and The Edge for more than three decades now. Enamored as a young person not with the rock stars themselves but with those in charge of setting up and maintaining their gear, Schoo got his start while at college in Colorado.

Once he started working with bands, he steadily built his reputation as a dedicated and focused technician, and the jobs kept coming. Before meeting U2 in 1982, his resume already included work with Fleetwood Mac, Eagles, Stephen Stills, and Pure Prairie League. Today, Schoo is widely recognized as one of the most talented guitar technicians in the business.


We recently had a chance sit down with Schoo to talk more about working with U2 and The Edge and his favorite parts of their collaboration. Surprisingly, though, his favorite part of working with the band isn't going along on tour—rather, Schoo loves to be a part of the band's creative process in the studio.

 "They don't write at home," Schoo tells us, clarifying that most of U2's entire creative process takes place in the studio. "For me, to be a part of that magic from the foundation up, that's [the best part]."




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Thursday, May 3, 2018


U2 are back on the road again with a new tour, eXPERIENCE + iNNOCENCE, which opened last night at the BOK Center in Tulsa, Oklahoma.


Bono  was raging. From the Unforgettable Fire album all the way back in 1984, Pride (In The Name Of Love) was a defining moment of the night. U2 had the courage to use images of braindead white nationalists with their tiki torches lighting up Charlottesville last August, their faces burning with hatred; as well as other images of equally brain-expired neo-nazis and KKK supporters fighting on the streets of America. U2's message was clear: hate is wrong, love is better. Later U2 used slogans in a similar way to the Zoo TV Tour of the early 1990s – this time the mantras on the big screen rang true in a post Harvey Weinstein, Me-Too era in America and beyond...


Empowered Women.


Empower Women.


Women of the world take over.


We can make history. Herstory.


Brothers and Sisters — stand up for each-other.


Respect resistance, or expect resistance.


None of us is equal until all of us are equal.


AIDS is sexist.


Racism is not Patriotism.


Refugees welcome.


It takes 20 cents to save a life.



Last night in Oklahoma, Bono hopefully taught some of the redneck Trump followers in the crowd how to work an unused organ: their brains.

Opening night of U2's eXPERIENCE + iNNOCENCE tour in Tulsa. PIC Danny North



This was followed up with another track from that era, The Ocean, also from the Boy album. U2 then moved to the ultra emotional territory of Iris, from 2014's Songs Of Innocence album, with Bono singing his pain, singing about the mother he lost when he was 14: "The ache in my heart is so much a part of who I am." Up on the giant floating screen that ran down the middle of the in-door hockey stadium we were treated to Iris’s wedding day home movie. We also saw a home movie of Bono as a kid running about on the beach. Cedarwood Road came next and was just as autobiographical, with young Bono on his bed playing his guitar and talking about giving guitar lessons to a young girl called Alison (“the charge would be the rest of her life”) with images of Guggi on horseback and Ziggy Stardust waving at us flashing across the screen. Introducing the song Bono talked about fond memories of seeing his mother in the ocean swimming. This was followed by Song For Someone. After three tracks in a row from Songs Of Innocence, U2 then went into one of their true timeless classics, Sunday Bloody Sunday from 1983's War album.

"I can't believe the news today," sang Bono as 19,000 fans were once again up on their feet singing the words about a country far away and a time long ago. "Oh, I can't close my eyes. And make it go away. How long? How long must we sing this song?" sang Bono who has been singing this song for over three decades now. Then it was back to 2014's Songs Of Innocence again with Raised By Wolves. They then jumped back over decades to The End Of The World from U2's 1991 album Achtung Baby and then Hold Me Thrill Me Kiss Me Kill Me from 1995. Elevation, from 2000's All You Can't Leave Behind, Vertigo from 2004's How To Dismantle An Atomic Bomb, and Desire from Rattle and Hum all the way back to 1988 then follow.

Bono brilliantly revisited the horned character of MacPhisto with a chilling speech on the nature of evil, before going into Acrobat from Achtung Baby, complete with Bono singing: “If you just close your eyes/You can feel the enemy."

Then we were transported back to You're The Best Thing - which was performed acoustically - from Songs Of Experience before we got an acoustic Staring At The Sun from 1997, followed by the aforesaid white supremacist-nailing Pride (In The Name Of Love.)

Four fellas from the Northside of Dublin - with one of the greatest back-catalogues of songs from any band in the world - held middle America in thrall for almost three hours last night. In the darkness of the vast arena Bono was their - our - personal Jesus.


Get Out Of Your Own Way, from Songs Of Experience, was next alongside a blistering version of American Soul from the same album, before this part of U2's set closed with a dazzling rendition of How To Dismantle An Atomic Bomb's City Of Blinding Lights.

And yet Bono, The Edge, Adam and Larry Mullen junior (who was expressionless throughout as the rest of the group were full of facial energy) were not done yet. There was still the encore to come. The crowd lost their minds when the opening chords of Who's Gonna Ride Your Wild Horses (from Achtung Baby) spilled out of the sound system. Then the spiritual beauty of One (also from Achtung Baby) rang out across the ice skate venue, and Bono asked the song's famous question: "Is it getting better?" U2 are getting better with age. The version of One comes very close to Bono seeming in a place of rapture.

Next up it is Love Is Bigger Than Anything In Its Way (from Songs Of Experience) with the lead singer of U2 singing:

"The door is open to go through

If I could I would come, too

But the path is made by you

As you're walking start singing and stop talking."

The night finished - though 19,000 people and even U2, after a gruelling set, don't want it to - with one of most emotive and moving songs from Songs Of Experience: There Is A Light.


When Bono sings the words, the ghost of William Blake (who inspired the titles, and the work perhaps, of the last two U2 albums) would have been happy with he heard...

“If there is a light

We can't always see

If there is a world

We can't always be

If there is a dark

Now we shouldn't doubt

And there is a light

Don't let it go out.”

When the song ended, Bono simply strolled down the giant walkway to the other small stage at the end of the venue and was gone.


ttps://www.independent.ie

Tuesday, April 24, 2018

Bono Awarded George W. Bush Medal for Distinguished Leadership for AIDS Work




Bono was awarded the inaugural George W. Bush Medal for Distinguished Leadership Thursday, with the former president honoring the U2 singer for his work in combatting the HIV/AIDS crisis and poverty in Africa.

In 2002, during a visit to the White House, Bono lobbied the president to lend financial support to a series to humanitarian organizations that would provide financial assistance and help stem the AIDS crisis in poor countries.
"It's a huge honor to [win] this award, and I'm here to honor your leadership on the greatest health intervention in the history of medicine," Bono told Bush Thursday in a conversation that was live-streamed from the George W. Bush Presidential Center in Dallas.

"That's what I'm not sure people understand: 13 million from PEPFAR [President's Emergency Plan for AIDS Relief], and if you add the Global Relief Fund, it's probably been 21 million lives have been saved by this work that you began and led and I'm here to honor that."

Bush responded, "The truth of the matter is, [PEPFAR] never would have made it out of Congress had you not been engaged. The first time I met you, you knew more statistics, like you were coming right out of the CIA."

Bush added, "Here's the thing about Bono that people got to understand: I like to say he's a real deal. This is a guy who has got a huge heart, obviously a talent, but cares so much about the human condition that he spends an enormous amount of time and capital on saving lives."

Bono also praised the ONE campaign and the American taxpayers for their help. However, the singer expressed concern about whether the Trump White House will continue the fight.

"Tackling a virus like this, if you're not as fast or faster than the virus, it's outrunning you. So all the progress that we made over the years can be undone," Bono warned.

"This was a moonshot, and [Bush] started something that was kind of 'put America on the Moon' in this regard, and I feel like we're just about to land on the Moon, and right now with this administration, we have some problems because they're talking about turning back. And I think we've got to be very hardheaded but making the argument for saving lives. It would be a very un-American thing to get all the way to the Moon and not put an American flag on it."

Bono joked that he was worried he would be fired from U2 over the honor, since his band mates were in Montreal rehearsing for their upcoming tour while the singer was accepting awards from the former president. "I kind of snuck out the back window," Bono told Bush. The singer also expressed his condolences to the Bush family following the death of Barbara Bush earlier this week.


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Tuesday, April 17, 2018

Bono talks Texas, why he's saluting George W. Bush and the foreign aid argument we're missing




Over the last two decades, Bono has become known almost in equal measure as the frontman of U2, one of the most successful rock bands of all time, and for his humanitarian efforts. It’s for the latter that he’s set to receive the George W. Bush Medal For Distinguished Leadership.

Ahead of his trip to Dallas to receive the award, he talked with The Dallas Morning News. The interview has been edited for length and clarity.


What does good leadership look like to you? What does it mean to be a good leader?

Off the top of my head, I've always thought you're as good as the arguments you get, really. That's probably why I'm in a band and why I'm still married. [Chuckles.] I'm not just in U2. I'm in a lot of band.

I see the One campaign as a band. I see (Red) as a band. I've just started this impact fund called Rise — that's kind of a band with [co-founders Jeff Skoll and Bill McGlashan]. I just always want to be around the right arguments, I suppose, and having people who are smarter than me around. That's just what I've tried to do. And to listen. I'm a talker — sometimes I talk to try and understand subjects, but actually listening. Especially in development work, in any work, but in development work it's critical.

President [Lyndon B.] Johnson was from Texas, right?

Oh yeah, he's a big Texas guy.

Was he the one who said, “If you're talking, you're not learning?”

I'll have to look that up, but it sounds like something he would've said.

Yeah, [imitates Johnson's voice] “You're not learnin' anything if you're talking!”

I was hoping you could talk to me about your approach to activism and humanitarianism and how it's evolved over the years. I'm curious about the differences in strategy between the (Red) campaign and the One campaign.

I always saw (Red) as the sort of gateway drug to the kind of activism that the One campaign does. You know, I think it was [former Senator from Tennessee] Bill Frist ... he's a physician, and he was saying to me, if you want to make this stuff relevant to politicians, then you're going to have to bring it back to the pig roast, bring it back to the people where they live — not just the Capitol. Not just to the media. That was really where (Red) began.

We look at Bank of America and their support of (Red). It's critical in terms of their cash contributions in saving lives, but the amount of neon, of — let's call it, yeah, the neon, the amount of signage in all their branches ... You can't move without seeing the statistics about what America is doing and reminding people that it's a political imperative, using the creativity of corporate America. The creative departments of corporate America — the advertising, the marketing people, we needed particularly in the fight against HIV/AIDS, we needed everybody onboard.

Apple is our most generous contributor. Strange enough, they're most quiet in terms of the neon because they're all very modest. I'm always saying to [Apple CEO Tim Cook], please take a bow here, because we've got to half a billion dollars with (Red) and Apple deserves to take some applause. But also, we need you to make more noise, because as we're discovering, there can be some compassion fatigue.


And we've got budget cuts being pushed by this administration that would decimate not just lives, but all the work we've done. If I can remember it's over 20 million lives would be lost over the next 15 years or so. It's like getting three-quarters of the way to the moon and turning back — it's this great moonshot by America, and it is so close. I think it's the greatest single health intervention in the history of medicine, fighting a single disease and these cuts threaten to destroy it. We need heat to keep the pressure up ...

The government money is obviously doing the heavy lifting. The Global Fund and the stuff that (Red) brings in is really important, but the big numbers [are from government]. That’s why I'm coming to salute President [George W. Bush, whose administration started the President’s Emergency Plan for AIDS Relief, or PEPFAR]. Because in this, the U.S. leads the world, and he brought us there. There were a lot of people encouraging him to do it, I was one of them — it took all kinds of we sort of punk rockers and priests, we of all kinds, gathered in that movement. But he had to show leadership there. And he really did.

With proposed cuts to PEPFAR funding, there's this sense now — and getting back to what you were saying about Bill Frist — how do you bring this back to American taxpayers?  


We're really grateful for the United States for the role that you play in the world, in terms of defense. But if you ask the military men and women, they will tell you that [foreign aid, like PEPFAR] is defense. I went into the Oval office to visit President Bush and I had three pills in my hand and I said, 'Paint them red, white and blue, Mr. President, because these [life-saving medications] are the best advertisements for the United States.' And he laughed.


But actually it's turned out to be true. People love President Bush all over Africa and this is a continent that will be the most powerful player. This demographic bulge will either turn out to be a dividend or a very big problem. For Europe, for the world. I think it's going to be a very great dividend. In fashion, and music and business, I really believe in Africa. But whatever you think about Africa, it is critical that we are with these new African countries that are trying to tackle corruption and put their people first. We need them to succeed.


So, development, alongside diplomacy and defense, I think, was an early Bush doctrine. Whatever you feel about the war in Iraq, [the HIV/AIDs fight] is a monumental achievement by the people of the United States. It is akin, honestly, to the heroism of Omaha Beach or the intervention in the Second World War. I think off the top of my head, it's something like 23 million lives saved through PEPFAR [and the Global Fund] — and think about that!  That is a moonshot, and the only thing I'm sad about is that I don't think Americans know that they've done this. Americans are great at beating yourselves up about stuff, but actually you're really getting this right!

Unless there's a pratfall now, Congress — Republican and Democratic heroes in the House and the Senate — people like [Fort Worth Rep.] Kay Granger, there in Texas, they are not letting this administration screw this up. But I think the best way to ensure that it's not screwed up is if the American people take a bow, and say, wow, we really got this right. That’s why I'm coming to the Bush Center: I feel that I have a duty to report back on what's been achieved, a hell of a lot — a heaven of a lot.



You've obviously done a lot of development work over the last 15, 20 years in Africa and it's not a monolith, obviously, but is there one thing you've learned doing work there that you wish you could go back and tell yourself at the outset, when you were starting out with (Red)?



A Senegalese man in a meeting, he very gently introduced me to a proverb, which was: “If you want to cut a man's hair, be sure he's in the room.” And I felt, you know, gently scolded. We’ve got to watch with this. A messianic complex is a great thing for the lead singer of a rock band, but it doesn't work in development. You have to listen and listen again, you've got to learn from communities what they want.


What year do you think that was?


Probably early — like 2001, 2002, around that time. The One organization has 3 million members in Africa. I think we should've been called a Half, really up until that moment. Though we've had some brutish behavior down there from the leadership that went wrong in the South Africa office, but I'm still sure that we are right to be investing in our African leadership, and I think their voices will drown out ours pretty soon. It's up to 9 million members [total]. Hopefully we can be wind at the back of people who make courageous decisions in Congress, but also we can listen better and learn. We're mostly deployed on the continent of Africa, but I think it's a very exciting place and the best navigation is by Africans. Not by Irish singers.

I wanted to ask you specifically about working with George W. Bush. On its face, that could be an odd pairing, but your goals have sort of aligned over the years. Do you remember the first time you met him and was there anything where you sort of thought, "Huh, really did not see that coming," in interacting with him?


In terms of our bases, our relationship didn't look well on either of us. [Laughs.] I don't think he had much interest in meeting me — and why should he? You know, he'd just taken the Oval Office and he was a busy guy.

The first thing we did together was something that became known as the Millennium Challenge Corp. It was a new approach to development, it was if a country was tackling corruption and could prove the fiduciary quality of a particular investment, whether it be infrastructure, like roads or something, then the United States would invest. And it was a sort of pro-growth strategy and it was — it's not written about a lot. The Millennium Challenge Corp. — it's really innovative, and I think that other leaders are now looking at that in dealing with the problem that we're having now with un-managed migration in Europe. Leaders are seeing the need to invest in African success stories, and so this concept of partnering with people who are ready to be clear and transparent and have a really good plan and strategy, to back that — that was the first thing we did together. It was very practical.

I suppose the thing that surprised me was his sense of humor. It's not new to Texans. I wasn't expecting to belly laugh with this president. I remember riding in his motorcade with him and people were waving, and I said, "Oh, Mr. President, you're very popular, clearly," and he just goes, totally deadpan, "When I first came here, the people used to wave at me with one finger," and that made me laugh. I get it. You know, I might've been one of them.

In my teens even, I'm a protester by nature, and the undoing of my black-and-white view of things as a young man, were things like when people just didn't behave as the caricatures I had been told they were. I just had a lot of surprises. People whom I thought would be total [jerks] turned out to have a humanity and people I thought would be very inspirational let me down.

I started to be suspicious of clear political lines. I came from the left, that's where I grew up on the left, but I would consider myself, I'm interested in the radical center, which is just problem-solving. When it came to working with the world's poorest, the cartooning of people on the right as being totally unconcerned with what the Bible calls the least of these — I think we're misunderstanding the American people and we're misunderstanding conservatives. People laughed openly when we arrived on Capitol Hill to talk about a historic AIDS initiative with a Republican administration. People laughed at us — they really did — they got it wrong. And they underestimated this president.

I think that sort of pragmatism is interesting, especially in the social enterprise space, where you’re saying, hey, this is an opportunity to invest, do some good and if you're investing in infrastructure, make some money — it doesn't have to be either/or all the time.

Well, it's tricky. We’re trying to get rid of what's called tied aid, which is you buy our products and we will help, will feed your starving people. I don't think it should be so binary. I do think it's OK to see Africa — and Africans demand this — as a place to do commerce. And I can tell you that the rise of China did a hell of a lot for Europe and America in buying American products. I remember asking [German Chancellor Angela] Merkel, where would the German economy be without the rise of China?


When I'm speaking in the U.K. with people who are suspicious of development assistance and suggesting that we should take these small percentages and keep them for our own problems, I always try to remind them that this is their next door neighbor continent, and their problems will become yours if you're not careful. Also, there's an enormous opportunity here for your financial services, for your engineering, for your manufacturing sector.

We've got to stop seeing this through the old lens, which is very patronizing. You're investing in lives and those lives are important to you. They're important to America, for compassion reasons and also commercial reasons. If I'd heard myself say that in my 20s I might've thrown up, but I'll tell you who wouldn't throw up is my African friends. They see the dignity of trade as a way of making a relationship that was vertical into a horizontal one.


If I could switch it up real quickly, do you have a favorite thing to do in Dallas or in Texas more broadly?


It's funny because for a musician, you think of Austin, Texas, and I think of Willie Nelson. I think of more romantic pursuits like music, but the last time I was out with the Bushes, I went out into the landscape, and I really enjoyed that. I really enjoyed the country life. My missus would slap me around the head for saying that because she's been trying to get me to do more hiking and that kind of thing. But I would like to spend time on trails and I'd like to ride. The Joshua Tree Tour was great, and we played Dallas. That was pretty special.

I enjoyed the president's paintings when I was out there. That made an impression on me, too.


They're something else, huh?


I don't think there could be a more alchemical bond between the subjects and the paint in the hand of this painter. I found some of them quite overwhelming. I loved the attempt to portray these [veterans] as ordinary lives, with the sort of clear fact that they're actually extraordinary lives just under the surface. I liked that. Where do you think I should go? Tell me.


I like Deep Ellum. But that might be crazy on weekend nights. Fort Worth is nice, too. The president probably has better recommendations.


In Fort Worth they have a [painting by Mark] Rothko. And I know that Sean Scully, who's a sort of Anglo Irish giant in painting, I'm pretty sure he's in one of the great museums there. I've got to go to South By Southwest. I've never been, I'm embarrassed.



Jill Cowan,Jill Cowan, Economy Writer

www.dallasnews.com