Wednesday, September 9, 2015

Into Africa with Bono

The Irish Times went to Rwanda and Nigeria with Bono and his One Foundation.


At a solar array in Rwanda


"Wonk and sizzle.” That’s Roxy Philson’s phrase to explain her organisation’s working method. Their goal is nothing short of mobilising the resources of the northern half of the planet to help the southern half. They want to engineer a tectonic shift in rich “us” and our responsibilities to help poor “them”, while simultaneously empowering “them”, so they can say goodbye to aid handed down from above.
It’s not an easy ask. But sizzle helps.
“Wonk and sizzle,” says Philson, who is chief marketing officer of the advocacy organisation One. “It’s what we do.”


Bono, of U2, expresses it another way. “We like to get stuff done,” he says.

Getting stuff done in this project involves boning up on vast quantities of data – the evidence to back up your argument – and then using one’s celeb status to mix it with world leaders and the rich, many of whom are not on the Christmas card list of your average developing-world activist.
The activists, the people who know instinctively there’s something imbalanced and morally wrong with global inequality and want to change that, may or may not like U2’s music. They may blanch every time Bono pops up on the cover of Time magazine or on CNN, or is pictured smiling and joking while hanging out with the Clintons or Angela Merkel or David Cameron. Or even Vladimir Putin.

“Sell-out”, say his detractors. “Another rich guy”, “a wannabe member of the elite”.
But Bono is nothing if not pragmatic: he has one eye focused on the goal – debt relief, or beating Aids, or ending extreme poverty in Africa – the other on how you actually put the ball in back of the net, as opposed to insisting that a goal must be scored.

Bono meets Hope , a patient at University Teaching Hospital in Kigali 

Monday August 24th: Pisa, Italy

Bono, fresh from the end of U2’s US tour, and with a week to spare before rehearsals for last night’s Turin opener of the band’s European leg, steps into the jet he has personally paid to charter, to take him and part of the One team to Rwanda and Nigeria.

He is greeted warmly by the captain, copilot and two cabin crew, for whom Bono, even among their other high-end clients, comes with a very big wow factor.
He walks down the inside of the plane to where the rest of us are sunk into vast leather armchairs that tilt back into beds. We are cocooned in a gleaming, polished cream interior comprising five connected but well-defined spaces.

Bono stops and raises both arms in front of him, palms turned open, fingers splayed, gesturing to the vista of opulence before him. “Ain’t never been on one of these before,” he says, grinning from ear to ear.

Even for a group of moneyed philanthropists this kind of transport is not par for the course. The larger-than-usual plane is being used because of the size of the delegation making the five-day trip to Rwanda and Nigeria.

In Rwanda the aim is to see what has been achieved there with money raised by , founded by Bono and others, that partners with corporations, such as Apple, Bank of America and Starbucks, and has so far raised almost €290 million. The money has been given, without any deductions, to the Global Fund, the Geneva-based not-for-profit organisation with close ties to several UN agencies, including the World Health Organisation (but which is part of neither). Ireland contributed €163 million to the fund between 2001 and 2013.
The fund raises money from governments, civil society and the private sector to fight Aids, malaria and TB and deals with recipient governments, agreeing programmes, monitoring spending, assessing outcomes. The fund has spent more than €700 million in Rwanda, of which €70 million came from (Red). Most of the €700 million, and all of the €70 million, has been spent fighting Aids.
The trip is for the benefit of significant private-sector partners of One, some travelling with Bono, some already in Rwanda, and key personnel within One and (Red). In Kigali, the Rwandan capital, the delegation will hook up with a bipartisan US congressional delegation making a separate tour of several African countries.

After Rwanda it’s west across the continent to Lagos, in Nigeria, where One is using pop music to build a bottom-up citizens’ campaign for radical change, focused at the moment on women as part of the sub-Saharan-wide Poverty Is Sexist campaign.
The delegation travelling down with Bono includes Tom Freston, the MTV founder and ViceNews board member, who is also chairman of One; Mario Batali, a New York celebrity chef; Anne Finucane, vice-chairman of the Bank of America, who oversees dispersal of the bank’s €9 billion charitable foundation (€9 million of which has been committed to One via (Red); and Douglas Alexander, a former British Labour Party politician and UK development minister. Key One people on board include Jamie Drummond, a long-standing advocate and campaigner, who founded the organisation with Bono; Lucy Matthew, Bono’s senior adviser; and Kathy McKiernan, his senior media adviser (and a former vice-president of Time Warner).
There are two journalists: Ellen McGirt, a US-based business magazine writer with an interest in entrepreneurs and development, and The Irish Times. Plus three people who look after Bono: Emma Pactus, Natalie Kinsella and Brian Murphy, his bodyguard.
Despite campaigning and touring for much of his adult life, Bono says that he still finds setting out on these journeys a wrench but that then, early on, there’s always an instant when his head clicks into gear.

“There’s always a moment,” he says, “a chiropractic moment when I know just exactly where I should be, and it’s here – here with [Drummond,] my partner founder, on this trip . . . You have no idea where these trips can go. You meet people and relationships start.”
Tuesday August 25th: Kigali, Rwanda
University Teaching Hospital of Kigali is a series of mainly single-storey buildings, with corrugated-metal roofs, spread across several acres near the centre of the Rwandan capital. Like the city, the hospital presents a face that is neat and tidy, well ordered and well maintained.
It is not a state-of-the-art, 21st-century healthcare facility but, with 565 beds and departments for surgery, pediatrics, oncology and maternity, plus a chronic disease unit, laboratories and a dispensary, it has the equipment, staff and medicines to cope with the 85 per cent of transfers that come from other medical facilities around Rwanda.
In one of the quadrangles created by a cluster of buildings a patio-style tent has been put up to give shade. On each side of the quad a row of chairs is filled by the visiting dignitaries. The centre is a big empty space.
Into it steps a young woman, hands clasped in front of her, head down at first, that mix of shyness and nervousness as she sways a little, left and right. She cuts a stunning figure: she is wearing an ankle-length cobalt-blue dress and a single gold chain around her neck. When she does look up her beauty is striking.
“My name is Anne,” she begins, “and I was 11 when I found I was HIV positive.”
Pause.
“I am 23 now.”

The message is simple, powerful and immediate. No one needs to spell it out: there is life after diagnosis; HIV doesn’t have to turn into full-blown Aids and death. All it takes is antiretroviral drugs.
Requesting that no photographs be taken or recording equipment used, Anne goes on to tell her story. It is a tale of how she wanted to fight to live and how she pursued her quest with a steely determination. Of how friends asked, in the early days after diagnosis, why she was always taking pills, the friends seeming to suggest that there was no hope. Why bother?

“I told them I wanted to live,” she says. “I wanted to live my dreams.”
She went to university and tells how now, living with HIV, as she puts it herself, “I walk and I hold my head high.”
There is applause and then silence as Anne’s triumph over adversity marinades in the emotions of her VIP audience.

Bono breaks the silence. Rising slowly from his chair, he asks Anne, “What did you study at university?”
“Finance,” Anne says with pride.
Bono snaps to attention, stands and salutes Anne. “Ladies and gentlemen,” he says, “I give you a future minister for finance of Rwanda.”

U2 to donate €2 million from Irish gigs

The Edge and Bono have found a way to come home


It's a great day for U2 fans in Ireland, the band have put an end to rumours and speculation and confirmed they will play in both Dublin and Belfast this November.

It's been a saga of will they, won't they, for the past number of weeks and due to the sheer scale of their iNNOCENCE + eXPERIENCE tour, there was a real danger U2 where not going to play any live shows in Ireland this year.

Over the weekend The Edge addressed the speculation and assured fans they were doing everything in their power to take their world tour to Ireland and insisted it would be a "huge disappointment" if  it did not happen.
They band have been very vocal that their iNNOCENCE + eXPERIENCE tour is only suitable for particular types of venues which gave fear to fans that it would not fit in any indoor arena south of the Irish border.

The Edge added: "This show is designed for a type of venue and unfortunately there isn't one, certainly in the south. I think there might be one in the Belfast area, so we're looking at that as well.

"But you can't invent a venue. It's either there or it isn't. So, we're doing a lot of head-scratching right now to see if we can figure out something."

But now it seems all logistical and staging issues have been surmounted and Bono, The Edge, Larry Mullen and Adam Clayton will take to the stage in Dublin and Belfast this coming November.

The band will play in the SSE Arena in Belfast on 18 and 19 November before four nights at the 3Arena in Dublin on the 23, 24, 27 and 28 November.

The band has announced that €2,000,000 from the concerts will go to Music Generation, Ireland's national music education programme.

Its director, Rosaleen Molloy, said:  "Music Generation would not exist without U2's vision. It was the band's very own personal experience of music education as children and teenagers that has driven their commitment to kick-start this ground breaking project."

"We are extremely grateful to the band for their continued support of children and young people's access to music education in Ireland and we welcome this announcement with enthusiasm and excitement."


http://www.rte.ie/

Monday, September 7, 2015

U2 use concert to call for 'leadership' over refugee crisis

Bono of U2 onstage in Turin.
Singer Bono says Europe ‘will be no more’ if it is unable to cope with wave of refugees, as he and his band play Turin

Musician Bono has warned that Europe “will be no more” if a solution to the refugee crisis is not found.

The leader of U2 and his fellow band members drew attention to the plight of refugees and called for “humanitarian leadership” as they kicked off the European leg of their world tour on Friday night.

Bono, who addressed Turin’s packed Pala Alpitour in Italian on a number of occasions, said on Saturday night: “We don’t know what the answer to the refugee crisis in Europe and Africa is, but we know that if we don’t figure it out, then Europe, which is a beautiful idea, will be no more. So we have to figure it out, whatever it is.”

On Friday night, he said he did not have the answers to the refugee crisis but added we “must work together” to find the solution.

The band’s bass player, Adam Clayton, spoke of the anger felt by Europeans, who he says are questioning why their governments cannot seem to “do the right thing”.

The image of a three-year-old Syrian boy, Aylan Kurdi, washed ashore in Turkey earlier this week sparked outrage and calls for governments throughout Europe to do more to help the tens of thousands of refugees. Bono made reference to the shocking incident by changing the lyric of Pride (In the Name Of Love) to include: “One boy washed up on an empty beach.”

In a set on Friday night that included more than two dozen of the band’s songs, and at one point featured a screen showing footage of refugees, Bono said: “There is a lot of heartache in the world, but there is so much joy in here this evening.

“Thank you, thank you, thank you. It’s incredible. Watching the news, ordinary people – all of us – seem capable of such great evil and such great love.

“I don’t know the answer to the refugee crisis in Europe and Africa but I know we must work together to find an answer to the refugee crisis in Europe and Africa.”

He added: “As Nelson Mandela said: ‘It always seems impossible until it is done.’”

Bono asked the crowd: “What do you want? A Europe with its heart and borders closed to mercy? Or a Europe with its heart open?”


Clayton said: “We really like to be able to respond to things as quickly as possible and you know the way the migration really has been covered in the last couple of weeks, you can feel there’s a lot of anger out there among the citizens of the European nations and they just don’t know why their governments can’t seem to kind of do the right thing or at least lead on these issues.”

The Edge, U2’s guitarist, said: “Every nation should step forward and do the best they can.”

Asked if there was scope for a concert in the style of Band Aid to raise more awareness and funds for refugees, Clayton said: “I think that’s a secondary issue. But I think primarily we’re in a situation where we have elected leaders who need to show leadership.

“Because we don’t know all the issues, we don’t know all the information here. But definitely, we need to see some humanitarian leadership from Europe.”

Commenting on whether U2 would get on board with a Band Aid-style event, The Edge said: “I think we’d take it very seriously, but again, as Adam says, it might not be the right response since it couldn’t be any more high profile.”

http://www.theguardian.com/

Bono at World Food Programme at Expo site, Milan


Bono attends the event 'It begins with me. How the world can end hunger in our lifetime', organised by Italy and Ireland to sustain the initiatives of the World Food Programme at Expo site on September 6, 2015 in Milan, Italy.

U2 to tour Ireland at end of November, Bono confirms


"We are coming home ... we just had to make it happen," Bono tells Brian Boyd in Turin



Bono has confirmed that U2 will be playing “Innocence and Experience” shows in Ireland at the end of November.
“We are coming home... it was really hard to figure out a way of doing it, but we just had to make it happen,” he told The Irish Times after coming off stage on Saturday night in Turin following the band’s second show in the city.
The city or cities they will play in, the exact dates and venue names will be made public soon as well as infomation about ticketing for the shows.
The difficulty for the band in playing Ireland was that the stage configuration of the current tour is simply too big to fit into any Irish venue.
“We found a way to reformat the show, to literally rebuild it for the Irish shows,” says Bono.
“It got to the stage where we just had to tell our people “You have to make this happen, you have to make this work, this is where we are from and we have to bring the tour home.”
The tour was supposed to finish in Paris on November 15th but has now been extended until the end of November to accomodate these new Irish shows.
“I am so happy we are bringing this home,” adds Bono. “These Irish shows will be like an Irish wedding. It is always tricky planning a wedding – who sits besides who could ruin it!”
There have been previous reports that the band have block-booked rooms in Dublin’s Gibson Hotel, which is adjacent to the 3Arena, from November 25th to November 29th. The 3Arena is free on these nights.
Given that the current album details U2s upbringing and early days on the Northside of Dublin, the tour is the most “Irish” thing they’ve done with Cedarwood Road (the road in Ballymun Bono grew up on) being brought to life on huge video screens as Bono walks down the length of the road during the show.
A centrepiece of the performance is the band calling on the British governement to make public the files on the Dublin/Monaghan bombings of 1974. Thirty-three people died in May 1974 when car bombs were detonated without warning – the atrocity remains the largest loss of life at any point in the Troubles.
The band have reworked Sunday Bloody Sunday to draw attention to how the bereaved families are still looking for answers to who was responsible for the deaths. A portrait picture of each of the 33 victims is shown on huge video screens as the band sing Raised By Wolves — a song specifically written about the bombings.
Bono has spoken about how, on the Friday the bombs went off, he would normally have been in the exact area of Dublin where the explosions occured as there was a well known record shop in the area he would always frequent after school. A punctured bicycle on the day meant he didn’t make it into town that day but a good friend of his was caught up in the bombings and it is the friends voice who narrates the story on Raised By Wolves.
The band have reworked the live show to reflect the Syrian refugee crisis. The singer changed the lyrics to “Pride” in Turin when singing “One boy washed up on an empty beach” in reference to the horrific image published last week of a drowned young Syrian boy.


http://www.irishtimes.com/

In Turin, Italy

"Ti amo" - Primer concierto de U2 en Turin, Italia

U2 launched the second leg of the Innocence + Experience tour  at Pala Alpitour in Turin, Italy. As expected, there were some thematic changes made so that the show reflects more of what's going on in Europe at the moment -- namely, the refugree crisis emanating from Africa.

Introducing the band members to the people of Italy after an incendiary version of 'Out Of Control'.

'On Bass, all the way from Ard na Mara - Adam Clayton
On drums, from Rosemount Avenue, Larry Mullen Jr
On guitar, all the way from St Margaret’s Park - The Edge
my brothers
miei fratelli.'

We don't mention 'Invisible' enough. What a song. Just as great in Europe as in North America.

Never been a version of 'Desire' . Elena from Naples jumped up on stage to boogie her way through Mysterious Ways but the Meerkat wasn’t behaving so Elena wasn’t needed to broadcast Desire around the world. Instead Bono started looking for additional players. First a drummer. Then another drummer. Then a guitarist. Then another guitarist… who turned out to be a singer.. and a very fine one. And then this spontaneous seven-piece - or was it eight? made their live debut. And it was pretty near genius...
'Lover, I'm off the streets
I'm gonna go where the bright lights
And the big city meet
With a red guitar, on fire
Desire....'

On the eve of the eighth anniversary of the death of Luciano Pavarotti, 'Every Breaking Wave' is dedicated to his wife Nicoletta and their daughter Alice - with a rendition in Italian of 'Torna A Surriento'. There’s another date marked in 'Angel of Harlem', which goes out to Van Morrison, in the week of his 70th birthday.


www.u2.com/http://www.atu2.com/

Tuesday, September 1, 2015

The Edge Reflects On 10 Years Of Music Rising

edgenolahires


The Edge Reflects on Charity’s Decade of Growth Into Disaster Relief Organization for Musical Communities Nationwide


10 years ago Hurricane Katrina struck the Gulf Coast, leaving behind a trail of destruction that The Edge of U2 would soon witness firsthand during a visit to New Orleans’ hard hit 9th Ward. Moved by the devastation suffered by the local musical community, Edge teamed with legendary producer Bob Ezrin, Gibson Guitars, MusiCares and the Guitar Center Foundation to provide immediate aid to the musicians whose lives and livelihoods had sustained the most damage when the levees broke. In short order, efforts including donations of net proceeds from the sales of Gibson and Epiphone Music Rising special edition guitars and the providing of musical instruments to professionals whose gear was destroyed in the storm were implemented. In a PSA at the time, Edge explained the helplessness he would have felt in the face of such overwhelming loss as Music Rising replaced thousands of instruments in what would ultimately be the first phase of its still ongoing and continually expanding mission.

Reflecting on the 10-year journey of Music Rising, The Edge commented: Music is at the core of these communities. It’s an essential part of their identities, their hearts and their lives. So when these centers of musical culture are damaged, getting the music going again is a crucial part of the healing process.

With Music Rising, we and our partners continue to do everything in our power to help support this centuries old music culture so it can do its magic for many generations to come.

What started as a direct response to one of the worst disasters to affect a musical capital of the U.S. has grown over a decade to offer assistance to musicians far and wide. Where there is music, there is hope, and Music Rising will continue to do everything possible to restore both for another 10 years and beyond.

In the decade following the initial 2005 Katrina aftermath, Music Rising’s efforts have grown in scope. Additional programs in the Gulf Coast region have included the distribution of over $​5 million worth of instruments for some 30 schools (in conjunction with the Mr. Holland’s Opus Foundation), as well as becoming the largest purchaser of ​Hammond organs in order to replace those destroyed by Katrina in regional houses of worship, and contributed $1 million to develop the Music Rising curriculum at Tulane University. Music Rising’s national outreach broadened as the organization provided aid to creative communities impacted by the 2010 Tennessee floods, as well as relief along with MusiCares and the Mr. Holland’s Opus Foundation in the wake of Hurricane Sandy in 2012.


Music Rising’s nationwide efforts are not limited to aid in the aftermath of natural disasters—its outreach continues in the very fortunate lull between these cataclysms: The organization recently reached out to Detroit, with efforts to aid the Motor City’s singular musical heritage including the distribution or hundreds of musical instruments to students. Elsewhere, Music Rising’s Music Icons auctions hosted by the world renowned Julien’s Auctions have raised millions in bids for items donated by Edge, U2 and friends. With support from friends and family including the Hard Rock International Corporation, Aaron Neville, Trombone Shorty and Billie Joe Armstrong of Green Day—who teamed with U2 for the historic 2006 performance that reopened the Superdome and welcomed the New Orleans Saints home—Edge, Ezrin and Music Rising’s efforts on behalf of musical communities in need promise to be just as tireless and far reaching for decades to come. 


http://musicrising.org/